A Quote by Seth Green
I've been very lucky as far as the things that I've picked, and the way they've worked out. I try to pass on stuff that looks like it's gonna be a bad time.
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The reason I feel bad for Steve Kloves is because he doesn't enjoy cutting things out. He's not sitting there with scissors, just laughing maniacally, going, "Ahahaha." He doesn't like doing it. The stories mean so much to him. But it had to go. And David kept saying, "We're gonna try, we're gonna try, we're gonna try" all the way into the shoot until the very last days, when he said, "Sorry, it's just not gonna work."
Getting on 'SNL' wasn't just about getting cast. I had written all this stuff in my audition, and I wrote several things that got on the air. But to me, I've never been interested in being picked. So when I do get sent things, most of the time I do pass on them because it doesn't feel like it would be fulfilling.
I'll be gray by the time I'm 30, but I like my hair. It looks shiny. I like the way it looks when those highlights are picked up on camera.
I've been lucky enough to do a lot of very interesting things, and every time, I've been like, 'I want to put everything into this because I want to see how far I can go with it.'
I just don't want to be bored. That's the only criteria I have when I choose a role to play. I like it if the script is good and the director seems like he's gonna be good. But if I can find a variety of things to do, which I feel like I manage to do, as far as the actual performing goes and the character, that's huge for me. To be able to feel like I can do a fairly diverse array of things. I've been lucky in that way. I don't mind being stereotyped in some way and playing certain kinds of guys, but if I can find something to occasionally get a break from that, that would be nice.
I am not gonna say that a guy's looks make him have to try harder in any way. I don't believe that at all. I think if he is funny, smart and cool, he's all set. Looks are not very important to me.
I like to look at things that have been developed and re-developed over the course of time so I know the bugs are worked out of it. And in the business itself, I like to look at sales, by far. I want to see that there is a vetted track record of sales to show the price point has worked.
I feel like I've been very underrated and very kind of disrespected so far in my career. I just take the same approach every time out: try to go out there and dominate and be the best player on the court.
Sometimes there's this balance: if you try to clear 10 things you'll probably get lucky and be able to clear most of them, or all of them; try to clear 20 things, in my mind there's gonna be at least one issue, maybe two - and then that's when it starts getting into either re-recording stuff, or you've got to take that song off.
You were born at a pretty crappy time in history. And it looks like things are only gonna get worse from here on out.
One of the things about having played a lot of villains is... I don't have the same experience of someone who maybe has been a leading man since they were 22 and therefore looks at certain things in a character to romanticize themselves. I actually very much embrace the bad stuff.
I've always had a preference for digital, all the way. I grew up through video and camcorders, and I was part of the VHS generation. I made all my stuff in high school on video, and worked for public access. Staying in digital is a very familiar, very natural progression of the things that I've worked in before, and I always try to break as much new ground as I can.
You're not gonna win every outing. I don't mean game. You're not gonna beat everybody out for the top job. Sometimes you're gonna be the best, but you're not gonna get the gig because there are other factors, people making the decision might like somebody more than they like you. It's vicious. And you have to be totally, singularly focused on yourself. Not in a bad way.
When I was younger, I would go to auditions to have the opportunity to audition, which would mean another chance to get up there and try out my stuff, or try out what I learned and see how it worked with an audience, because where are you gonna get an audience?
You can't play not to lose. You kind of have to put your ego aside and accept the fact that careers are long, and there's gonna be stuff people like and stuff that people don't like, and you try to get better every time, and always put something out that you're proud of. And let the chips fall where they may.
I've enjoyed my time at every club I have worked at, I've been lucky, but I won't jump in and finish up working with a chairman I didn't like very much.
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