A Quote by Seth Klarman
A tipping point is invisible, as we just saw in Greece. In most situations, everything appears fine until it's not fine, until, for example, no one shows up at a Treasury auction.
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Most of my records are never going to be commercial successes, and I don't expect that. It's just all a learning process to me. If something appears as a failure, fine. If there's success, fine. I like the record, and my friends like the record, and that's kind of all I can really care about.
Everything was fine until I walked on to the first tee!
I was a Fine Art major. You do a bit of everything until the final year, when you specialise. I did pencil drawing and sculpture. It's a pretty well-rounded fine art education. I thought that it was viable option to make a living out of art. I'm not sure if I was thinking realistically; maybe I never was. But it had great appeal.
Everything was fine until I left and then I ran out of talent!
Mediocrity is always invisible until passion shows up and exposes it.
Time is the guy at the amusement park who paints shirts with an airbrush. He sprays out the color in a fine mist until it's just lonely particles floating in the air, waiting to be plastered in place. And what comes of it all, the design on the shirt at the end of the day, usually isn't much to see. I suspect that whoever he is, wakes up in the morning and wonders what he ever saw in it.
The elephant, not only the largest but the most intelligent of animals, provides us with an excellent example. It is faithful and tenderly loving to the female of its choice, mating only every third year and then for no more than five days, and so secretly as never to be seen, until, on the sixth day, it appears and goes at once to wash its whole body in the river, unwilling to return to the herd until thus purified. Such good and modest habits are an example to husband and wife.
Growing up in Michigan was fine...until I realized where I was.
In chaotic situations, I feel like I can take a breath and look around and assess the situation and see the big picture. Going through the traumatic time that I did in my life, that's also given me even more of a breather in life to just be like, "I know everything's going to be fine. Even if this is the worst show in the world, no matter what happens, everything's going to be fine." It's an accumulation of things.
Fine food is poison. It can be as bitter as antimony and bitter almonds and as repulsive as swallowing live toads. Like the poison the emperor took every day to stop himself being poisoned, fine food must be taken daily until the system becomes immune to its ravages and the taste buds beaten and abused to the point where they not only accept but savour every vile concoction under the sun.
We believe we're seeing the world just fine until it's called to our attention that we're not.
I went to an art school in Brooklyn and painted Fine Art, if that's what you'd call it for eight years in New York, until I saw the first underground comics in the East Village Other.
I had this idea that I didn't want to have kids until my career was at the right point, until we have a house, until we have savings of at least this much ... None of that came true. It just happened.
Most people want to become movie stars and I just want to be in the business. I already was a star. If I get the part of a lifetime and it blows up, then that's wonderful. But if the acting doesn't work, fine. I'll just be a producer. And if the producing doesn't work, fine. I've got a lot of other stuff.
I talked about the human suffering in Iraq. And I also saw the need to advance a freedom agenda. Imagine a world in which Saddam Hussein was there, stirring up even more trouble in a part of the world that had so much resentment and so much hatred that people came and killed 3,000 of our citizens. I've heard this theory about everything was just fine until we arrived and the stir-up-the-hornet's- nest theory. It just doesn't hold water, as far as I'm concerned. The terrorists attacked us and killed 3,000 of our citizens before we started the freedom agenda in the Middle East.
I went to an art school in Brooklyn and painted Fine Art, if thats what youd call it for eight years in New York, until I saw the first underground comics in the East Village Other.
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