A Quote by Seth MacFarlane

Nobody sets out to offend or shock for the sake of shocking. You set out to get laughs. — © Seth MacFarlane
Nobody sets out to offend or shock for the sake of shocking. You set out to get laughs.
I don't set out to offend or shock, but I also don't do anything to avoid it.
We never really tried to shock for shock's sake on 'Family Guy.' If something was horribly offensive and shocking we would put it in if it was also hysterically funny.
We never really tried to shock for shock's sake on 'Family Guy'. If something was horribly offensive and shocking, we would put it in if it was also hysterically funny.
I do notice a lot of people who want to shock to get laughs. It's such a tricky thing; you don't want to make rules about it. There's nobody more hilarious than Dave Attell, and he'd break every rule you set up. But he's funny.
When I write I don't aim to shock people, and I'm surprised when I do. But I don't think that anything that occurs in life should be omitted from art, though the artist should present it in a fashion that is artistic and not ugly. I set out to tell the truth. And sometimes the truth is shocking.
Oh, we've had our share of hotels bein' smashed and all, but that was a long time ago. You get lousy room service... I mean, there's no use throwin' a TV set out the window for the sake of throwin' a TV set out the window. But if you get a lousy picture then you have an excuse
Art is something that nobody laughs at and nobody makes any money out of is the attitude, which I would dispute.
When someone sets out to be controversial or provocative or shocking as an end in itself, I don't think that's a noble goal.
I never deliberately set out to shock, but when people don't walk out of my plays I think there is something wrong.
Nobody sets out to make a bad film - I shouldn't say 'nobody.' Some people certainly don't care.
We don't deliberately set out to offend. Unless we feel it's justified.
When you watch an audience watching my movies, you realize that nobody laughs at the same time. Some people enjoy a beat, and then another group of people are laughing at a sight gag, and then someone laughs where nobody laughs before. They're not timed like a comedy. You're not supposed to laugh at every joke. You decide.
Gay brothers and sisters... You must come out. Come out to your relatives... come out to your friends... Come out to your neighbors... to your fellow workers... to the people who work where you eat and shop... break down the myths, destroy the lies and distortions. For your sake. For their sake. For the sake of the youngsters who are becoming scared.
Catharsis isn't art. You can't rely on catharsis to get a laugh. Because guess what? People do laugh when something's shocking, but that is, to me, the absolute fakest of laughs. That's not something that sustains a television series, or a movie, or even 45 minutes of a stand-up set at Carolines.
I always have to come back to shows to take out the improvements actors have put in. Laughs are addictive, and sometimes they're good laughs, and sometimes they're bad laughs.
Ah, 'Kismet,' or Carry On Camel, as we called it. I thought the show was shocking. It was the worst designed production ever but it's got a fantastic score. It's not an awfully good book though. You really have to work hard to eke out any laughs from that script.
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