A Quote by Seth MacFarlane

I'm one of the few people in Hollywood who actually had a good childhood. — © Seth MacFarlane
I'm one of the few people in Hollywood who actually had a good childhood.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
Mainstream Hollywood makes a few good movies a year. And in order to be in one of those, you have to be one of five people. Hollywood makes many bad movies too, which I'm not interested in being a part of. But there are only a few good independent movies a year, and many, many bad ones. I want to be in good movies, and I want people to see them.
I used to have a theory actually that, if you've had a good childhood, a good marriage and a little bit of money in the bank, you're going to make a lousy comedian.
I've never had help from anyone, ever. I've never had this great director who saw themselves in me, because I'm a French woman in Hollywood. Who could identify with me as a successful director in Hollywood? Nobody. And the few people who could have been mentors, instead they just stole my ideas.
I remember feeling guilty that I had a good childhood. I thought everybody who is famous has to have a desperate childhood and work his way out of it, but I had a great one.
I went to public schools in Bangor, Maine, and had as normal a childhood as you could imagine someone could, living in an enormous red house and being the son of a millionaire best-selling writer. I mean, I actually had a strangely normal childhood despite all that.
President Obama is highly concerned with education. He's a champion on early-childhood development strategies. So I like the work he's doing, and I support it, and I realise that he's one of very few political leaders around the world that actually has early-childhood development strategise at the top of his agenda.
But when I realized it was actually going to be this portrait of the artist, birth to death, I had to then discover who Margaret as a young woman would be. I had to find the different voices for her throughout her life. I had a lot of fun discovering that. I had a lot of fun writing the childhood sections. By imagining her childhood, I was able to come up with this voice that matures as she gets older.
At times I think I actually hate Hollywood. I have many acquaintances there, but few friends.
He convinced me - Fred Freeman - to go to Hollywood and we went to Hollywood to write sitcoms. Joey Bishop actually paid my way to Hollywood.
I had a very free childhood and ranged around on my bicycle the way boys do. I had few restrictions.
Any ensemble - they didn't call it "the all-male Expendables," for example. But it's Hollywood's fault that people say that, because there have been so few movies that have allowed women to have these leading roles, so that's Hollywood's fault.
I don't know if high society is different in other cities, but in Hollywood, important people can't stand to be invited someplace that isn't full of other important people. They don't mind a few unfamous people being present because they make good listeners.
I've never had Internet access. Actually, I have looked at things on other people's computers as a bystander. A few times in my life I've opened email accounts, twice actually, but it's something I don't want in my life right now.
I had a beautiful childhood, so my adulthood has been really frustrating because it's - half the time it hasn't been as good as my childhood.
The whole idea of doing the Hollywood thing never even occurred to me. When you grow up on the East coast, Hollywood seems like this fantasy land and you don't think that people can actually make a living there.
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