A Quote by Seth MacFarlane

I wrote on a show called Johnny Bravo when I was at Hanna-Barbera. — © Seth MacFarlane
I wrote on a show called Johnny Bravo when I was at Hanna-Barbera.
I wrote on a show called Johnny Bravo when I was at Hanna-Barbera and he guest-starred as himself.
I started working at Hanna-Barbera in '92 on 2 Stupid Dogs.
I actually applied at Hanna-Barbera to work on 'The Smurfs' when I got laid off for a brief period of time from Disney. I didn't get the job. That was my first introduction to Smurfs.
I was a top-notch cartoon model for Hanna Barbera, and they made me into a cartoon series called 'Devlin,' which ran for seven years, and I was on lunch pails and coloring books and all of that. It's really interesting being a coloring book when you're young - most kids colored in coloring books, but I made money off coloring books.
I joke that I learned the essentials of storytelling from Hanna-Barbera, but I pretty much did. That kind of television is what enamored me as a kid, and that's what really got me hooked. You could say that's where it all began.
I just find 'Scooby-Doo' unwatchable. I can't stand it. I like all those other Hanna-Barbera shows about a thousand times more than 'Scooby-Doo.'
Up until the time Turner Broadcasting bought Hanna-Barbera, it was essentially an independent studio whose planning cycle had to be nine months. You got a pickup in January, and you put it on the air in September. That's been the cycle.
If you mentioned Hanna-Barbera to people, they said, 'Oh yeah, Flintstone, Yogi, Scooby-Doo, Jetsons,' and that was pretty much it. We have characters with very high recognition factors and great films, but no organized plans for really making the most of them and increasing their value.
If you mentioned Hanna-Barbera to people, they said, "Oh yeah, Flintstone, Yogi, Scooby-Doo, Jetsons," and that was pretty much it. We have characters with very high recognition factors and great films, but no organized plans for really making the most of them and increasing their value.
The early years of Hanna-Barbera were more fun than the later ones. I was working more in the creative areas of timing and direction then. But as the studio grew, I became more involved in administration and got away from the creative aspects.
I'm in love with 'Bravo.' Me and my girlfriends love 'Bravo-ing,' which doesn't necessarily mean watching 'Bravo.' It's when you're a bum and you're on your couch watching reality shows.
I don't own any of these names. I don't own Johnny World, Johnny Mundo, John Morrison, Johnny Nitro, Johnny Blaze or Johnny Impact. None of it.
I started working at Bravo in 2005, when I was offered a job by Lauren Zalaznick, the network's chairman. She encouraged me to start a blog. I wrote behind-the-scenes gossip about 'Battle of the Network Reality Stars,' the first show I took on as head of current programming.
I didn't want to come up with some generic Johnny Bravo type name. I'm not that cool, so I might as well stick with my birth name.
My cousin is Johnny Nash, 'I Can See Clearly Now' Johnny Nash. So I know what to do just by watching what he did. He had a brilliant career. He wrote one of the biggest songs in music history.
One of my co-workers at Ralph Lauren heard about the show, and when she got back to the office, said; Carson, you have to call Bravo. They're doing a show. You're perfect for it.
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