A Quote by Seth MacFarlane

With any half-hour comedy, it kind of takes on its own life and finds itself. — © Seth MacFarlane
With any half-hour comedy, it kind of takes on its own life and finds itself.
A story rises from the springs of creation, from the pure will to be; it tells itself; I takes its own course, finds its own way, its own words; and the writer's job is to be its medium.
I would love to play a normal human being with a little bit of a comedic bend that had a love interest. I would love to explore comedy, like a half-hour kind of single-camera comedy. I think that would kind of suit me best.
'Breaking In' is a very different office comedy and a caper comedy. Aside from 'Chuck,' there is no half-hour comedy that does stuff like that.
I have a half-hour special on Comedy Central, but so many people have half-hour specials now, and it's not so 'special.'
Memento mori - remember death! These are important words. If we kept in mind that we will soon inevitably die, our lives would be completely different. If a person knows that he will die in a half hour, he certainly will not bother doing trivial, stupid, or, especially, bad things during this half hour. Perhaps you have half a century before you die-what makes this any different from a half hour?
[on making the transition from the comedy "Mary Tyler Moore" (1970) to its dramatic spin-off series "Lou Grant" (1977)] We were really worried about changing over from a three-camera, half-hour comedy to a one-camera, full-hour drama. The audience wasn't ready for the switch - even CBS billed us in their promos as a comedy. In fact, the whole thing was impossible. But we didn't know that.
My intent when I moved to L.A. was to get in good with the comedy clubs and, eventually, try to break into Comedy Central and have my half hour special.
I really like the half-hour comedy. I really do. I know people that are in movies all the time and they, you know, they don't see their families as much. And that takes its toll over time.
Performing music is a way to do comedy, but without the obligation to do a solid hour, hour and half of a standup. I could intersperse it with music, so it became a really good format for me.
I really take pride in doing my own make-up all the time, which takes me about 40 minutes, and my hair takes another 15 to 20 minutes. Putting on my gear is probably another 15 minutes, so all in all, I don't think an hour and a half is too bad!
How infinitely happier and more grateful is the whole personality or spirit when it finds something nourishing in art or writing or thinking, than the mere mind or intellect is: the kinship you celebrate in these personalities is your own dismembered Orpheus stumbling across another fine organ to rejoin to itself. I put it this way: aristic psyche loves itself enough to chasten itself, to put itself through boot camp for the sake of being competent for life, alive to life.
The interruptions of the telephone seem to us to waste half the life of the ordinary American engaged in public or private business; he has seldom half an hour consecutively at his own disposal - a telephone is a veritable time scatterer.
I cannot speak for more than an hour exclusively about poetry. At that point, life itself takes over again.
My faith, inasmuch as I have any, is more like a kind of Joseph Campbell thing, and even that frequently finds itself tested to oblivion in siren waters.
I can remember times coming home from a chess club at four in the morning when I was half asleep and half dead and forcing myself to pray an hour and study an hour. You know, I was half out of my mind-stoned almost.
Honestly, one-hour drama is the hardest format there is. I think it's harder than movies, and it's harder than half-hour comedy.
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