A Quote by Seth Meyers

I was very much aiming to go into movies eventually, like a lot of 'SNL' people. But, soon after I arrived, all these really good actors started, like Fred Armisen, Bill Hader, Jason Sudeikis and Andy Samberg, and I thought, 'If I were casting a movie, I would put all of them in it over me.'
I always feel the most validated and confident being around people that I find funny - having Fred Armisen laugh at a scene or Bill Hader or Seth Meyers give me a compliment.
It's so funny: at 'SNL,' Bill Hader always kind of treated me like his little sister and would kind of, like, lovingly bully me.
Yeah, because we wanted to go back to the original tone. It's one of the original movies like The Muppet Movie, Muppets Take Manhattan, The Great Muppet Caper. Those kinds of movies. So that was really important that we hit that tone and those have a lot of cameos in them and so Jason and I started asking people and everyone we asked just wants to do it.
When I was a kid I was a big fan of the Universal Monsters movies of the 1930's and the 1940's. I loved movies like The Wolfman (1941) and Dracula (1931). I really wanted to be in those movies. Eventually I started nagging my parents about it, and it turned from, "I wanna be in a monster movie! I wanna be in a monster movie!" to "I just wanna be in a movie." So I think my parents just thought that if they took me to one audition I'd see how boring it was and I wouldn't wanna do it. But I ended up getting the part, and I got a bunch of roles after that as well.
I watched a lot of movies from all over the world. The Russians were very good at editing. They were specialists in editing. The Man with a Camera, if you know that movie, is incredible. I still don't understand how it works. It's a movie with no script, no actors and still it works. It's really good. It's really about editing.
I just would never go audition, and yet I was in very visible places where people would come looking for actors. I say I'm lazy, though I'm sure if I were in therapy for a lot of years, it would turn out to be a lot more than laziness. After awhile, it was, like, too embarrassing for me not to go on auditions. I had to be humiliated into it.
Jason Sudeikis said an SNL go-to for naming people was: regular first name, noun last name. My noun was Beard.
Working with people like Jennifer Aniston and Jason Sudeikis is such a blessing because I've watched them a great deal. I grew up with 'Friends' and always aspired to work with someone from that cast. Jason is just such an amazing comedian.
My dad traveled a lot, so I only usually saw him on weekends, growing up. His favorite actors in the world were Clint Eastwood and Burt Reynolds. If Clint or Burt had a movie out, we would go to the movies. He didn't like movies, generally, unless Clint or Burt were in them.
An awful lot of actors who are considered very good actors are not very good actors. There are people who just strike gold, they have intrinsic talent, but the point is that if they did train, it would not inhibit them. If they were with a good teacher, it would only broaden them more.
For me, the reason to make the movie is that if people like the comic, then people would like the movie if it was well made. There are good movies for them, but very few. And I mean that in a true sense. If they love your story for freaking 30 years, then they can do a movie about it.
I remember reading Dave Barry for the first time and being like oh my God I can't believe you can do this. Watching Mel Brooks and Monty Python and SNL and all that stuff really informed me as a writer and then at high school I started a satire magazine and the college like The Lampoon really introduced me to like you know a lot of very like-minded people who really wanted to like comedy was the center of their lives.
We are always getting photos and publicity from people who want to act in Andy's movies. We always throw them away. They don't seem to realize that the last thing we'd put into a movie is an actor. Because all the other movies use actors.
It's very difficult to put together an independent movie and a lot of times people really don't hire casting directors for that. Instead, they look for people that they've seen in other movies or they're friends with.
I've made movies that I thought were good. I've made movies that I thought were okay, but then I was very good. And sometimes you're in a movie and you think, I wish more people saw that - because you're good. And it just works out that the movie gets lost. But that's show business.
One of the incredible things about doing a show like this is that Jason Sudeikis has it all mapped out in his head. I imagine it's a bit like the tattoos in 'Prison Break.' If you cut Jason open, it's probably like that, but with the story of 'Ted Lasso.'
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