A Quote by Seth Numrich
Theatre has been a part of my life since before I can remember - my dad is also an actor and a director and a storyteller who lives and works in the Twin Cities; my mom is a nurse practitioner, but she also grew up doing theatre - so, it has always been a part of my experience.
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I'm doing The Physicists, which is great, and I do have my agent to thank for that because a lot of agents try and talk you out of doing theatre. They don't push theatre because you can make more money doing television, whereas theatre wages are pretty shocking. But it's something I've always been keen to do and have been encouraged to do so, which is nice.
Virtually all my conscious life I had been involved in theatre - I had been a child actor - but as a young man who had experienced the 1960s, British theatre seemed remote from my aspirations in life - theatre was still a posh thing, a middle-class thing, something for an elite.
My wife Jennifer's family is all from there. Jennifer grew up there, so we have personal ties forever - her mom, dad, her brother, her twin brother - so, there's certainly a personal connection there that will also be there. Also, even though I grew up in Omaha, I feel like I really grew up in Milwaukee.
I started - well, in England it works a little bit differently. You have to do Fringe theatre, which is basically free theatre. You do it in pubs and small theaters and village halls across the country, and you work for a theatre company. You're part of a troupe.
Before I worked on film, I studied the theatre, and I expected that I would spend my whole career in theatre. Gradually, I started writing for the cinema. However, I feel grateful towards the theatre. I love working with spectators, and I love this experience with the theatre, and I like theatre culture.
So, theatre will always be my first love. It's not that I am trained in it, but I also feel that theatre gives an altogether different experience every time it is played. But a movie and a TV show is always a one time experience for me.
Feeling earthquakes was part of growing up, and also preparing for them: doing earthquake drills, or having earthquake supplies. The looming feeling was part of my life. My experience of earthquakes has always been more the fear of them, or the possibility.
I grew up playing basketball and baseball. I've always been active because my dad played professional football, so sports and working out have always been a part of my life.
It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
An actor and a [theatre] director are both what I would call interpreters of work. We interpret a work, just as a musician will interpret a composer's work, we interpret the work of a playwright. We are servants of the theatre and I've always believed that. We must serve what has been written, that's what we're there for.
I got blessed from my mom. She's the personality; she's the one who smiled, so I took on part of her, and who also wanted to help and save the world. Then I took on part of my dad, who is tough.
Life beats down and crushes our souls and theatre reminds us that we have one. At least the type of theatre that I'm interested in; that is, theatre that moves an audience. You have the opportunity to literally impact the lives of people if they work on material that has integrity. But today, most actors simply want to be famous. Well, being an actor was never supposed to be about fame and money. Being an actor is a religious calling because you've been given the ability, the gift to inspire humanity. Think about that on the way to your soap opera audition.
It's true: theatre has been part of my life for as long as I can remember. I always liked everything about it. As a child, I used to get so excited about performing, I'd get the giggles.
I have always been interested in theatre and after reading the script for THE INFLICTION OF CRUELTY, I thought that being part of this show and the Fringe would be a great experience.
I think that music is crucially important in Shakespeare - and, clearly, was an important part of the Elizabethan theatre. And, it's always been something that was a profound element of the experience of Shakespeare that I have been drawn to - and interpreters have, as well.
I've always been a part of theatre.
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