A Quote by Seth Rogen
The scene with Danny [McBride] and the cake and all of that [in the Pineapple Express], most of that is improvised, I would say. But you would never know, to me anyway, and that's what is always amazing.
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I don't think that any scene [in Pineapple Express] is word for word how you'd find it in the script. Some of it was much more loose than others. The last scene with me, Danny [McBride] and James [Franko] in the diner - there was never even a script for that scene. Usually we write something, but for that scene we literally wrote nothing.
It was a great time. We did hurt ourselves [on Pineapple Express set]. [James] Franco cracked his face open.[Danny ] McBride cracked the back of his head open. I punched Amber[Heard] in the face just to get her in the mood for things. 'Welcome to the set!' But it was a lot of fun. I loved it.
We were in production on a movie called All the Real Girls, which filmed in the Fall of 2001, and we really discovered who Danny McBride was, as an actor. When I say we, I mean me and a crew and a small audience that would hit the art house. He'd never acted before, and it was a really refreshing, eye-opening experience to watch him unleash, in front of the camera, all this comedic potential that we knew he had, as a human being and as the guy doing keg-stands at the party.
In these interviews, they've been asking me for a while, 'If you could do a scene with anybody that you haven't done a scene with yet, who would it be?' It would be Christian Stolte. He's the most incredible actor. He is always the smartest person in the room.
I have always been good at auditioning, but maybe because I had a good trick at the beginning. I would pretend that my agent gave me the wrong scene or lines. They would take pity on me and hand me the right scene. I would act like I had never seen this before - and then do pretty well considering I had already rehearsed it.
It was such an amazing feeling to be on that movie set. And for the first scene I ever did in any movie, I improvised for about 10 minutes, and then there's applause by the crew, you know what I mean? I haven't had that before or since. It was just such an amazing moment.
Funnily enough, when I was leaving school and they asked you what you were going to do, and I just liked acting, that's never what I would say. I would always say I would go into business, even though I didn't really know what was meant by that.
And I don't know where to find Ashley Danfield and all the other lovely commentators who show me live courtroom trials. To me, you know, I'm obsessed with it. Like I think maybe if I wasn't an actor I'd be a litigator. But, you know, it's always just shocking to see what happens in real life because most of the things that you see on those trials if you tried to write them into a TV series you would say oh gosh, no one would believe that would ever happen. But yet they always do in real life.
Sukumar comes from a very different school of working style. He never shoots with set dialogues and scenes. Most of it is improvised on the spot. He'd tell me, 'Rakul, if this is your character, how would you behave? Show me.'
At a certain point, I started playing improvised music. After a couple of years of this, I did a little bit of analysis and found most improvised music the kind I was listening to at least, which was mainly European to be as, if not more, formulaic than any other kind of music. For example, improvised pieces would often begin and end in the same way.
It would be a wonderful experience to stand there in those enchanted surroundings and hear Shakespeare and Milton and Bunyan read from their noble works. And it might be that they would like to hear me read some of my things. No, it could never be; they would not care for me. They would not know me, they would not understand me, and they would say they had an engagement. But if I could only be there, and walk about and look, and listen, I should be satisfied and not make a noise. My life is fading to its close, and someday I shall know.
I know the movies that I've liked, and I know the experience that they've given me, so the goal is always to try to create a movie that I would like myself and that would knock me out, challenge me or intrigue me in some way. That's been my criteria for figuring out what I want to do, or also when I'm writing something or creating a scene.
In 1994, nobody could have predicted 'Shawshank' would one day be an iconic movie - and believe me, that would never have happened if Danny Glover had been Red instead of Morgan Freeman.
If you're truly playing improvised music, I don't care who you are or where you come from, you don't know what's going to happen. I feel essentially we really don't know anything anyway, most of the times we're just guessing.
You say something, things you would rather forget, and then they are out there. It makes me anxious and I don't know why people are interested in me anyway. If I had my way, I would rather exist in a little hole and not speak to anyone.
I remember what it felt like when I was young, and I looked up to someone, and they would pay me just an ounce of attention. And some of the bands I listened to when I was young probably never even sold any albums, but it didn't matter to me. If I'd go up and say, 'Great show,' it would be amazing that they even would acknowledge me.
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