A Quote by Seth Rogen
Every time I improvise I'm aware that I could be ruining what it is that we're doing and we'll just have to do it again.
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Every time you get in front of the lights and the cameras and you think, 'Okay, well, we've done this before, but we have to do it again? Oh, we're doing it again? We're doing it again?' It's so gratifying, but I don't think I'll ever get used to it. I hope I won't.
Just having that time alone, away from the team, just going through the progression of being healthy again with the brain work that I was doing in the hospital and building that company, all I could do is think and it just dawned on me that, hey, it's time for the next chapter of my life. I need to walk away and try something else.
In the present time you don't really establish what you're going through, but after time it's declared something. Right now there could be some writers doing something expressing their thoughts in a whole different style that we're not aware of. This could be the 'in-between the notes generation.
In the present time you don't really establish what you're going through, but after time it's declared something. Right now there could be some writers doing something expressing their thoughts in a whole different style that we're not aware of. This could be the 'in-between the notes generation.'
I'm no actor. And I wasn't like George Lucas or Spielberg, making home movies as a teenager, either. But I would go back and watch certain movies again and again. By the time I saw 'The Graduate' I was aware of how these amazing stories could be told.
Acting is constricted because you have the lines. But I improvise with it and what I learn on the set. I improvise rhythms and just changes.
It's so fun to do theater, because as opposed to television, you just keep doing it again and again and again - every night. Sometimes it lands beautifully, and sometimes it lands just beside of it. It's like throwing a horseshoe. It's great fun.
There is no secret. It is all about doing the same things time and time again. It is all about doing the best every day.
At Carnegie Hall the Preservation Hall Jazz Band showed how easily it could hop from era to era. It could work like a rhythm-and-blues horn section or a tightly arranged little big band if need be, but it could also switch back into the polyphonic glories of vintage New Orleans jazz, in which nearly every instrument seems to improvise around the tune at the same time.
I awake with a not entirely sickened knowledge that I am merely young again and in a funny way at peace, an observer who is aware of time's chariot, aware that some metamorphosis has occurred.
Every time I would arrive in China I would go through a few days of depression from being reminded of both short-term and long-term ruin; the ruining of the city that is happening in the short-term, and the ruining of culture and history that has happened over decades. When you see a building that says so much about the culture that built it being destroyed, there are a lot of emotions. You feel a lot of anger when you see a building being destroyed and realize that it's just a small part of what's going on in the entire country.
That is what shooting is. There is no secret sauce, man. You've got to find mechanics that you can make the same every time, and you've got to do it over and over again, and you can't just shoot for rhythm. You've got to understand what you are doing. You have to focus on those details every day.
I've always assumed that every time a child is born, the Divine reenters the world. Okay? That's the meaning of the Christmas story. And every time that child's purity is corrupted by society, that's the meaning of the Crucifixion story. Your man Jesus stands for that child, that pure spirit, and as its surrogate, he's being born and put to death again and again, over and over, every time we inhale and exhale, not just at the vernal equinox and on the twenty-fifth of December.
After years of doing composition, the risk is always that you might start to repeat and be cliche. Every time, I try find a way to be reborn again as an artist. Its not easy to reinvent yourself every time, as it takes a lot of creative energy, but I am happy to do it.
I was always aware of the ticking clock of time, always. I was very aware that I had a lot to do, and I wanted to do those things in the best possible way that I could and probably the biggest way I possibly could.
Most of the time I'm really not aware of what I am doing. I'm just so locked into the moment.
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