A Quote by Seth Rogen

To me it's a mystery that you can show the horrific things in the movies, but not some sexual stuff which everyone does. — © Seth Rogen
To me it's a mystery that you can show the horrific things in the movies, but not some sexual stuff which everyone does.
One of the things that really fascinates me about movies is that they make seemingly ordinary moments be filled with some curiosity or some energy or some mystery.
My movies are always being played on television, I'm very well known and all that stuff - I go all over the world, I have access to many things, many people, many places and it's wonderful. But now I'm at a point where...I thought it was time to show some of it, to show some of my feelings about things and what I preferred at the time. I prefer them still but not to the extent I did at the time.
'The Exoricist' and 'The Shining,' there is some horrific stuff, and it's mostly what you put in your own head, which I find amazing.
There are some things which are so horrific that some people feel they can't do anything about it: that the natural, understandable response is to tune it out.
The more money women make, the less violence, the less sexual crimes against women. Everything horrific and misogynistic declines. But then what you're dealing with here is "What does it mean to be in love with people who are your equals?" And that's a very beautiful thing that we should cherish, but it's also incredibly tough in some ways.
Show me a sexual practice that involves ice cubes and hot sauce, and I will show you a sexual practice that would be improved without them.
There are still things technically about films that I think are a mystery to me and I want to remain a mystery. I don't particularly want to know what everyone's job is because I've got lines to learn.
I think there are things that aren't represented in movies that are a big part of everyone's life. We romanticize everything about people in movies. One of the things I don't like in movies is that people feel alone with their bodily functions in the real world, as if people in the movies don't do these things.
In every show that you see, there's some stuff that's funny and some stuff that is not, or there might be stuff that you find funny and I don't. That would be true for any show, however funny or popular.
But, Tarantino has seen all of my movies. He's seen my good stuff, he's seen my bad stuff, he's seen the ones I directed, he's read my autobiography. There's an awful lot of things he knows about me, all of which I think had something to do with his casting.
I think the core of Jaime Lannister is actually that final line in the pilot when he says, 'The things I do for love.' He might do horrible things - and they are truly, some of them, horrific. There's no excuses. But he does it out of what he sees as a necessity, out of love.
I want to know: How does a space suit on Mars work? Show me how it is pressurized, and how it is cooled. What's the glove design? None of that stuff can be bought off the rack. It does not exist. You can't just go to SpaceMart and buy those things.
Give me a mystery - just a plain and simple one - a mystery which is diffidence and silence, a slim little bare-foot mystery: give me a mystery - just one!
You get an audience to laugh and then show them something horrific, it's going to be even more horrific because they've had the release of the laugh before it.
One of the things that did intrigue me about when I read the pilot - because I had not read the books before doing the show - was the mystery aspect of it. I didn't feel that it was just a crime-based story. It really does have that mystery element, and it felt like a throwback to other shows in the past that had a bit more of that. There was something iconic about it. The fact that it's set in Boston gave it a feeling that was different to me. So, I am definitely more of a fan of mysteries than I am of a circular crime-based genre.
The more horrific works came out of a feeling that everyone accepted my stuff too easily. I was deliberately trying to be antagonistic towards collectors and critics.
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