A Quote by Seth Rogen
People don't usually wanna kill me for one of my movies until after they've paid 12 bucks for it.
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When I was a kid I was a big fan of the Universal Monsters movies of the 1930's and the 1940's. I loved movies like The Wolfman (1941) and Dracula (1931). I really wanted to be in those movies. Eventually I started nagging my parents about it, and it turned from, "I wanna be in a monster movie! I wanna be in a monster movie!" to "I just wanna be in a movie." So I think my parents just thought that if they took me to one audition I'd see how boring it was and I wouldn't wanna do it. But I ended up getting the part, and I got a bunch of roles after that as well.
Filmmaking is like playing in your imagination and getting paid to do it. I guess I'll ride this horse until it bucks me.
As long as the people who kinda wanna go kill other people are going to go kill other people who kinda wanna go kill other people, you're killing all the right people and opening up all the best parking spaces.
People always ask, 'Do you wanna do movies; do you wanna do other things?' But they haven't fired me from 'OLTL' yet. When that happens, I'll make that choice.
I wanna be in action movies, I wanna be the tough guy... I wanna scare people.
I wanna be in action movies, I wanna be the tough guy I wanna scare people.
The 'Planet of the Apes' movies made me wanna - probably unconsciously - be an actor. Seriously. And The Mummy - and 'Hammer horror' movies. 'Fantastic.' I loved stuff like that, and that stuff probably did more than anything to make me wanna do it.
I went to Aspen right after school and got a freelance gig writing articles for the 'Aspen Times.' I was their nightlife correspondent. They paid me fifty bucks an article.
I didn't get a formal introduction to horror until right about the age of 12, when my uncle showed me 'Twilight Zone: The Movie.' When you're 12 years old, and you see that - oh, God. I devoured as many horror movies and novels as possible.
Up until doing this movie, I hadn't really paid a huge amount of attention to those genres, but after finishing this movie, it really gave me a different sense of appreciation of the way the movies play out.
You don't know what pressure is until you play for five bucks with only two bucks in your pocket.
Rocco paid me 35 bucks a week at Murray's Inn in South Jersey. People started asking Rocco to have me sing.
There are lot of people I'd wanna work with, but Wes Anderson, I would just wanna sit down with the guy. If he would ever put me in one of his movies, that would be the end.
The first paid show was in Los Angeles at an art opening and I was paid maybe, I don't know, twenty five bucks?
I didn't get paid enough money really to live properly, sleeping on people's sofas and stuff, but that was the moment when I thought, 'I just wanna play football professionally; whether I get paid 10 euros or 10,000 euros, I just wanna play.'
I just want different parts; I wanna be that guy who people mention and they don't know who you're talking about until you say a few movies they've been in and then people are amazed that it's the same person.
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