A Quote by Seth Rogen
It was a great time. We did hurt ourselves [on Pineapple Express set]. [James] Franco cracked his face open.[Danny ] McBride cracked the back of his head open. I punched Amber[Heard] in the face just to get her in the mood for things. 'Welcome to the set!' But it was a lot of fun. I loved it.
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I've cracked my head open before; I've had some great injuries. So I have to do it on the side now. I cracked my head open kiting before a competition in New Caledonia. The water was shallow, and I missed a trick and hit my head on a rock.
That buy is totally cracked out," Vic said one day, as we walked past Balthazar in the great hall. I don't think he's on alything." I didn't mean, for real. If he was cracked out for real, he'd probably be having more fun, right?" Vic shrugged. "Balty looks like he's not having any fun. He looks like he never had any. Like he wouldn't know fun if it started dancing around yelling 'I'm fun' in his face.
"You guessed? You must have been pretty sure, considering you could have killed me." "I was ninety percent sure." "I see," Clary said. There must have been something in her voice, because he turned to look at her. Her hand cracked across his face, a slap that rocked him back on his heels. He put his hands on his cheek, more in surprise than pain. "What the hell was that for?" "The other ten percent."
I let her through. She checked Derek's pulse and his breathing, saying both seemed okay, then leaned down to his face. "Nothing weird on his breath. Smells . . . like toothpaste." Derek's eyes opened, and the first thing he saw was Tori's face inches from his. He jumped and let out an oath. Simon cracked up. I madly motioned for him to be quiet. "Are you okay?" I asked Derek. "He is now," Simon said. "After Tori jump-started his heart.
The first job that I booked was a small role in James Franco's film 'Bukowski.' I had to make out with a 13-year-old kid. I think it was his first kiss. I was 15. I became so nervous on set that I actually fainted when James Franco came to direct me.
For a moment, Jason could only stand there in the hallway with his nose pressed up against the cold wood of her door. After a few seconds, he knocked politely. Taylor whipped open the door, unamused. Jason grinned at her. “I just gotta ask: Where did you get the whole ‘all the cute girls run around naked’ thing?” “I defend sexual harassment cases, Mr. Andrews,” she replied coolly. "I’ve seen and heard things even you haven’t thought of.” “Care to test out that theory?” She slammed the door in his face again.
So we have that, where there are moments where it's just Nic Cage and Amber Heard and you're in the car with them and it's not stuff flying at your face but you're literally sitting in the backseat. You're sitting there and it's just sort of interesting. At the same time we're going to throw cars and guns and bullets and frogs and naked people at your face because it's fun and that's the roller coaster. We do write some things for 3-D.
Emeth came walking forward into the open strip of grass between the bonfire and the Stable. His eyes were shining, his face was solemn, his hand was on his sword-hilt, and he carried his head high. Jill felt like crying when she looked at his face. And Jewel whispered in the King's ear, "By the Lion's Mane, I almost love this young warrior, Calormene though he be. He is worthy of a better god than Tash.
Always keep a window in the attic open; not just cracked: open.
I don't think it's ever hard to punch someone in the face who's just punched you in the face. I would say that anyone who thinks they can walk up to someone and punch them in the face without getting punched back is an idiot. At the end of the day, if someone came up here and punched you, trust me, you would fight back. That is just basic survival.
I don't think that any scene [in Pineapple Express] is word for word how you'd find it in the script. Some of it was much more loose than others. The last scene with me, Danny [McBride] and James [Franko] in the diner - there was never even a script for that scene. Usually we write something, but for that scene we literally wrote nothing.
The scene with Danny [McBride] and the cake and all of that [in the Pineapple Express], most of that is improvised, I would say. But you would never know, to me anyway, and that's what is always amazing.
My bed was pushed up hard against the wall just below the window. I loved to sleep with the windows open. Rainy nights were the best of all: I would open my windows and put my head on my pillow and close my eyes and feel the wind on my face and listen to the trees sway and creak. There would be raindrops blown onto my face, too, if I was lucky, and I would imagine that I was in my boat on the ocean and that it was swaying with the swell of the sea. I did not imagine that I was a pirate, or that I was going anywhere. I was just on my boat.
If you took a cracked pot and you cracked that cracked pot, you'd be approaching the level of cracked pottery we are talking about here.
He stops in his tracks, face expressing major disappointment. "Wait - seriously? That's it? We don't get to do a stealthy tiptoe as we slip around back? No sneaking through a cracked window, or arguing over who gets to crawl through the dogie door to let the other one in?
He (Pres. Bush) rightly decided that it was far better to return all Haitians than to encourage, deliberately or not, tens of thousands of people to take to the open ocean in unseaworthy, overcrowded boats.... When the Haitians sense the door has been cracked open, they will once again prepare their rag-tag armada and set sail for the land of plenty - America.
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