A Quote by Seth Rogen

I watched a lot of pot movies before we did this [Pineapple Express]. My favorites were always the characters in movies that weren't necessarily in stoner movies.
The movies I did before were movies with a lot of characters, a lot of locations, and low budgets, which meant that I was running all over the place and never had the chance to build a relationship with an actor. I was always having big, strong relationships with the cinematographers or editors or production designers, but not with the actors.
I did two movies that were arthouse movies; they were critically successful but made no money at all... but after making those movies, I thought, 'I wouldn't watch my own movies when I was 16, and my buddies where I came from wouldn't watch my movies, because they were boring.'
I watched a lot of old movies. Clint Eastwood movies, a lot of John Wayne films, a lot of movies that celebrated the region of where I lived.
I started taking acting classes when I was 14. That's when I knew I wanted to try it professionally. Before that, I watched movies, always, but I didn't think it was a real job. I watched Turner Classic Movies with my parents. I've always loved the old classics.
I've been obsessed with making movies since I was 15. I watched a lot of movies when I was young, and I decided that I wanted to do that because I was a passionate kid about watching movies.
Danny Boyle has been a huge, has had a huge effect on me. His movies, early movies like Trainspotting and those movies. So I've always loved the energies of those movies. But also, that they are very focused on the characters. Cause it's not only gimmickery, it's not only about visuals. You feel a real need, a love for the main characters. So that's what I've always loved about watching movies myself.
Sure, I watched a lot of Hollywood movies. Maybe I've seen more Hollywood movies than French movies
Sure, I watched a lot of Hollywood movies. Maybe I've seen more Hollywood movies than French movies.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
The earliest movies that I loved were French movies and Italian movies. I grew up watching those kind of movies and often find the truest looks at human nature - you can find them in another country's movies.
The earliest movies that I loved were French movies and Italian movies. I grew up watching those kind of movies and often find the truest looks at human nature - you can find them in another countrys movies.
We've all watched hundreds of movies from characters' points of view that are not our own. That's part of the gift movies give us.
I like zombie movies, and I like genre movies a lot. To watch. Less so to make, I think. But I grew up on that stuff. I would just grow up watching a lot of horror movies, a lot of slasher movies and then zombie movies.
I watch a lot of movies. I've watched movies since I was a kid. My dad brought me to the theater once a week. Always - it was a must. So I think that influenced me a lot to be an actor.
I am ashamed to say I auditioned three times before I even watched any of the [X-Men] movies. And then after I watched the movies, I was like, "Oh my God, I've been doing it all wrong, why are they calling me back?
Since Star Wars, that film's success led to bigger budgets, more hardware, that the great movies like the ones I did, which were studio movies, are now independent movies. They range from half a million to several million, and a lot of those have very interesting roles.
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