A Quote by Seth Rogen
I remember, when I was an up-and-coming comic, how annoyed I would be when the famous guys would show up and just take everyone's spots.
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When I visited KU, I thought, 'I wish I'd gone to Kansas.' They would take me around to their spots, and my spots at Indiana just felt like old hangouts. It was one of those times where you always wished you were somewhere else. But I was happy I ended up at Indiana coming from small little St. Louis.
Growing up, I didn't get the talk of 'Make sure boys take you on a date and treat you right.' So I was the girl who wasn't dating and would just text. I dated these guys who didn't have jobs, and I would always be paying. At one point, I remember looking in the mirror and thinking, 'You're too pretty and cool to be treated like this.'
I remember going to see my dad pitch against other coal-mining teams, and he was successful with the knuckleball. I saw how bad guys would look like swinging, and how guys talked about how he could throw every day and didn't hurt his arm. That's how I grew up learning.
I remember what it felt like when I was young, and I looked up to someone, and they would pay me just an ounce of attention. And some of the bands I listened to when I was young probably never even sold any albums, but it didn't matter to me. If I'd go up and say, 'Great show,' it would be amazing that they even would acknowledge me.
I discovered several never-failing signs by which one might know when a man wished to take another wife. He would suddenly 'awaken to a sense of his duties'; he would have serious misgiving as to whether the Lord would pardon his neglect in not living up to his privileges; he would become very religious, and would attend to his meetings ... which seemed just then to be very numerous, and in various other ways he would show his anxiety to live up to his religion.
I don't really know a lot of famous people. I've met a lot of famous people. If I ran into Tom Hanks today, I would have to remind him who I was and he would then remember me. But he wouldn't come up to me and say, 'Hi Dave!'
In the old days when I first was coming up, you would turn up on set in the morning with your coffee, script, and hangover and you would figure out what you were going to do with the day and how you were going to play the scenes. You would rehearse and then invite the crew in to watch the actors go through the scenes. The actors would go away to makeup and costume and the director and the DP would work out how they were going to cover what the actors had just done.
How did females become 'guys?' How did everyone become 'guys?' Remember, too, that a male guy was something of a scoundrel. And a wise guy was a fresh kid, a whippersnapper. In its most other famous evocation, men in Brooklyn said 'youse guys.' Damon Runyon referred to hustlers, gamblers, and other nefarious types as guys.
I remember not having a hot water tank, so we had to use a kettle for hot showers. So, you know, we would put the kettle on and go have a shower, and then my mum would come bring three or four kettles in, just to heat them up. And it would take five, 10 minutes for every kettle to heat up.
We're just one cog in this giant machine. You show up and look at all the other cogs like, "Wow, everyone is the best at what they do." You're in really good hands. And that frees you up to play and feel safe, and you can take chances, creatively. You can take risks. I want to show up to work and take risks. I don't ever want to play it safe.
When we were growing up our parents somehow made it clear that being famous was good. And I mistakenly thought that if I was famous then everyone would love me.
I'm always confused when people say how much they miss 'Invader Zim' because the show never stopped running in my head, and then I remember everyone else isn't in my head. I try to imagine the world for all those people who don’t know what Zim's been up to since the show went off the air and it makes me shudder. How can people live that way? Hopefully this comic helps make the world a better place.
I started coming up to New York at age 17. There was a girl I met over the summer somewhere; I was chasing her. I would drive up to D.C., where I had made some friends, which was about four hours away, and we would take the bus up to New York.
We were 15 minutes into it and nothing was happening; I thought, well, that's not going to work. Then all of a sudden everything clicked. I don't know how long it took us, but I would just show up at Alison's [McGhee] office. She would type and we'd just kick it back and forth. Writing is so scary for me, such a lonely endeavor, and it became a wonderful thing to show up and have somebody else go through it with me. It was actually a wonderful experience.
There's a lot of hip-hop that would be great with a banjo in it. It would just groove like crazy, and I hope I get to be one of the guys who does that, because it's coming. It's coming.
I grew up at the very tail end of the vinyl era, and at the time, I remember, we couldn't wait for CD to come along because vinyl was so frustrating. You would buy the record, take it home, and it would have a scratch, and you would have to take it back again.
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