A Quote by Seth Rogen
After every single take, I laugh. It's my own awkwardness and discomfort about being an actor.
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I'm not entirely comfortable saying I'm an actor, because it seems like a very weird, almost dorky thing to say you are. I laugh after every take just out of the discomfort I feel that I'm even on film. It's an awkward thing for me to be doing. Once we get going, it's always fine, and as we're shooting, I'm never thinking about it. I'd say that all my time in front of the camera is equally uncomfortable for me.
What people really want is not to make something funny, but to make something amusing - which, in many ways, is the opposite of funny. To amuse someone is to eliminate discomfort and awkwardness, kind of like a massage for the brain, while to be funny is to point out awkwardness and discomfort. Everyone thinks they want funny, but they really want amusement.
I like playing with that space between laughter and discomfort where your discomfort can also make you laugh, and you're confused about the mixed feelings. That's challenging, and I think that's what makes for some of the best art.
I find it easier to cry than I do to laugh convincingly. It's incredibly hard to pull off a laugh that feels natural take after take after take, that feels real. You can tell a fake laugh the minute you hear it, and that's something I really struggle with more than producing tears.
Acting is about giving yourself away, like the U2 song 'With or Without You.' You just don't stay behind a character and make people laugh or cry. At some point you have to take off that mask, and when you do, you're a human being, not just an actor. After all, I'm Catherine the person first. You share that.
In reality, there is a single integral community of the Earth that includes all its component members whether human or other than human. In this community every being has its own role to fulfill, its own dignity, its own inner spontaneity. Every being has its own voice. Every being declares itself to the entire universe. Every being enters into communion with other beings.
In every phase of our imaginative, aesthetic, and emotional lives we are profoundly dependent on this larger context of the surrounding world.
I violated apparently an unspoken rule that we are supposed to take care of our own. Frankly if that invites discomfort, I welcome it. I don't think there's enough discomfort in journalism, especially in Washington.
I violated, apparently, an unspoken rule that we are supposed to take care of our own. Frankly, if that invites discomfort, I welcome it. I don't think there's enough discomfort in journalism, especially in Washington.
Discomfort and awkwardness are places where you feel things. I'm a big advocate for being happy. We can choose to live in a happy bubble. But part of being happy is understanding how sad things can be.
One of the things I talk a lot about in my work that I try to practice - which is really hard - is in those moments where we're being asked to do things or asked to take over or asked to take care of something, we have to have the courage to choose discomfort over resentment. And to me, a huge part of my authenticity practice has been choosing discomfort and saying no.
Freedom is about a way of thinking. Freedom is about understanding that you can do anything that you want and freedom is about being able to take information and education and make it relevant to your own growth every single day. Freedom is not staying in the box. Freedom is not doing what other people want you to do.
I always take part in the creative process of every film of mine. Gone are the days where an actor would walk into the sets, finish his portions, take the money, and leave. In fact, I've been accused of being interfering - but that's the way I am. It is important for every actor to get involved with the script.
I don't want to be quoted as 'Tom Hiddleston, psychologist says...' But there is a psychological aspect to being an actor. We are particular students of human nature - not every actor is, of course, but that's what fascinates me about being an actor.
Every human being sees something different in a painting, so I want every single person to have their own thoughts about our songs.
As an actor, you have to be able to take all sides as well. You have to at least be able to understand things. No bad guy looks in the mirror every morning and says, boy, I'm gonna be a real bad guy this morning. He goes after his own what he's after, just like us good guys. You kind of have to take a stand and, a lot of times, you have to take the writer's stand or the stand of the character this writer has created.
Sure, every young person dreams about being famous, but nobody wants to be famous - unless they're Zsa Zsa Gabor - every single moment of every single day.
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