A Quote by Seth Rollins
While acting in Armed Response I was always focused, just so they could see me as a peer and maybe not some idiot who's coming in from the pro-wrestling world. I'm sure they had their preconceived notions about me so I just hope that once we were finished with a scene, or finished with the movie overall, that I managed to change their perspective based on what they were expecting.
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That one long scene in the Leftovers I have with David Gulpilil was seven pages long. When we finished it, Mimi Leder said, "I thought you were gonna do this in bits and pieces. You just did the whole thing." And I literally couldn't remember the scene. It wasn't that I was in a trance. I said, "Just keep shooting takes until you see what you want." In 48 years of acting, which is also how long I've been married, that had never happened to me.
Once I moved to Chicago and started trying to get acting jobs, I just tended to book more things that were comedically based than anything else. I never had the preconceived notion, 'I will be a comedic actor.' I just thought, 'I'll go into acting and see what kind of work I can get.'
Once I moved to Chicago and started trying to get acting jobs, I just tended to book more things that were comedically based than anything else. I never had the preconceived notion, "I will be a comedic actor." I just thought, "I'll go into acting and see what kind of work I can get."
For me, in movies, it's always a mixed bag. I've never made a movie where I thought, "You were really good in that movie; you were good all the time." No. It's always, "You didn't get it, you didn't do it in that scene, but the other scene is pretty good." So I just hope that in balance there's more good scenes than not.
I've had guys, when I've been single, come date me and I've found out they were expecting some kind of whirlwind, some dramatic crazy person-- and that's just not me. I'd much rather be in a movie that people have really strong feelings about than one that makes a hundred million dollars but you can't remember because it's just like all the others.
People can have so many ill-conceived ideas about me based on the parts that I play. I've had guys, when I've been single, come out of the woodwork to date me and I've found out very quickly that they were expecting some kind of whirlwind, some dramatic crazy person - and that's just not me.
The movie that we could've finished in 2001 would've sucked. The movie that we could've finished in 2002 would've just been a disaster, even into 2003, it would've been very cobbled together, amateuristic stuff. But as we went along, we really did stumble upon some accidental themes, and with the things you could do with computers, and all that sort of stuff just sort of really accelerated into where the stuff that we could do right here at my house became - you could almost do anything.
It wasn't that I was shy to go out with him, I just didn't want people with preconceived notions to assume anything about why we were together. I was pretty careful for a while.
Maybe [artistry] doesn't have to be quite so full of anguish if you never happened to believe, in the first place, that the most extraordinary aspects of your being came from you. But maybe if you just believed that they were on loan to you from some unimaginable source for some exquisite portion of your life to be passed along when you're finished ... it starts to change everything.
When we first sat down and talked about how much of the show we were going to do based on the movie, there are certainly things you can see right away, but we wanted to make sure that the audience who maybe never saw the movie or has maybe never seen any of the Marvel characters before - and I know there's three of them left on the planet - could have someone that could be their eyes and take them in.
When you did the job, you thought you were just trying to amuse your friends who are all on the job. I'm just trying to make the sound guy laugh, the script supervisor. A movie like Caddyshack, I can walk on a golf course and some guy will be screaming entire scenes at me and expecting me to do it word for word with him. It's like, 'Fella, I did that once. I improvised that scene. I don't remember how it goes'. But I'm charmed by it. I'm not like, 'Hey, knock it off'. It's kind of cool.
I grew up in a family in which no male upstream from me had ever finished high school, much less gone to college. But I was taught that even though there was nothing I could do about what was behind me, I could change everything about what was in front of me. My working poor parents told me that I could do better.
'Brokeback Mountain' just blew me away. I'll always remember talking to Heath Ledger just after he finished that movie and he was going on about working with Ang and how incredible he was.
Brokeback Mountain' just blew me away. I'll always remember talking to Heath Ledger just after he finished that movie and he was going on about working with Ang and how incredible he was.
Maybe we were together in another life...in a parallel universe, maybe our paths are not supposed to cross twice, maybe your arms are not supposed to go around me. I hear about you now & then, I wonder where you are & how you feel. Sometimes I walk by & I look up to your balcony, just to make sure you were real-just to make sure that I can still feel you...it appears to me that Destiny Rules.
I've tried to be totally present, so that when I'm finished with a piece of work, I'm finished. ... The work, once completed, does not need me. The work I'm working on needs my total concentration. The one that's finished doesn't belong to me anymore. It belongs to itself.
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