A Quote by Seth Rollins

Dean Ambrose is somebody that I broke in with - The Shield - and we had a falling out, and things didn't go very well for us for awhile. — © Seth Rollins
Dean Ambrose is somebody that I broke in with - The Shield - and we had a falling out, and things didn't go very well for us for awhile.
I like to think I'm a good mechanic for the company. 'Oh well, we sprung a leak? Call Ambrose; throw him in there.' I like that because I think it has really upped my value with the company, and I think that they realize nowadays, too, another Dean Ambrose isn't going to walk through the door anytime soon - or ever.
I do not see Dean Ambrose leaving WWE to go somewhere else.
I grew up in a very loving middle class family. My parents were educators. I'm not even the first PhD in my family. They tried to shield me, just as other parents in my neighborhood tried to shield their children. But you knew there was a reason that you couldn't go to that theme park or to a movie theater or to a hamburger stand. They couldn't shield you completely. What they did though was they never let it be an excuse for not achieving, and they always said racism is somebody else's problem, not yours. They tried in that way not to make us bitter about Birmingham.
Cockroaches can't survive me, and neither can Dean Ambrose.
There is no creative process to come up with a character of Dean Ambrose.
There are so many things that can go wrong while performing. I've had violin strings break; I've had pants that were slowly falling down, and I'd have to pull them up in between every song; my hairpiece was falling out, so a big chunk of hair was just flapping around as I danced, and I've completely fallen on my butt.
I think that Dean Ambrose is driven to create a first-time-ever, unique character that other people in the future can be compared to.
In the U.K., we always had a special relationship with the audiences because it wasn't 'More Than Words' that broke us: it was 'Get The Funk Out' that broke first. That was what we had always dreamed of.
To help other people, you've got to be able to help yourself. You go to a psychiatrist, and they're on this Prozac, Effexor, and antidepressants, you may have picked the wrong person. If you go to somebody who's broke who's selling you financial services, that might not be a good thing. You go to somebody who's fat to help you lose weight... And a lot of people ironically do these types of things.
I like those really multidimensional characters like Dean Ambrose and Bray Wyatt.
Actually, the person I related to was James Dean. I grew up with the Dean thing. Rebel Without A Cause had a very powerful effect on me.
Acting is trying to be absolutely truthful; to get audiences to believe that you are a dean, when, actually, not only are you not the dean, but if you walked into the building they'd probably throw you out. That's very hard.
I think all The Shield boys will tell you we hold The Shield very dear to our hearts. That was our vehicle to where we are now, and to get out of developmental and out of that hot Tampa warehouse.
I had somebody say to me, 'You should play more ladylike.' This is basketball. I'm supposed to go out there and, 'Oh, I broke my nail,' or 'Oh, you hit me?'
Either I'm going out on my shield or you're going out on your shield. That's just what it is. I go out there and fight. I see an opening, I take it. You make a mistake, I take it.
After I broke my leg I had to go back and do one of the remakes of 'The Magnificent Seven' and ended up on a horse that pitched me off and broke my leg again... I rode horses pretty well. I just didn't like doing it.
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