A Quote by Seth Shostak

When I graduated high school, nearly a half-million people subscribed to 'Popular Electronics' magazine. Soldering up some radio or hi-fi amplifier on the basement workbench was not just a personal passion - a lot of young people were doing the same. The magazine expired in 1999 for lack of interest.
I think that from the very beginning it wasn't simply, what made Playboy so popular was not simply the naked ladies, what made the magazine so popular was, there was a point of view in the magazine, that you couldn't run nude pictures without some kind of rational that they were art.
I graduated high school in 1974 when Roe v. Wade had only just been passed. Ms. Magazine was only just starting, and women were really feeling empowered to pursue their dreams and their careers, and I was excited to enter a new field of technology.
I knew since the age of four that I wanted to be a clothing designer. I read an article in LIFE magazine about two young ladies that graduated from Parsons School of Design, and when they graduated they went to Paris and Richard Burton and Elizabeth Taylor opened a boutique for them. So I thought, "Oh, I just have to go to Parsons, that's all."
I graduated from Brown in 2001, moved to New York, and spent a year and a half just looking up Backstage magazine auditions and grinding.
I graduated from Brown in 2001, moved to New York, and spent a year and a half just looking up 'Backstage' magazine auditions and grinding.
I set up this magazine called Student when I was 16, and I didn't do it to make money - I did it because I wanted to edit a magazine. There wasn't a national magazine run by students, for students. I didn't like the way I was being taught at school. I didn't like what was going on in the world, and I wanted to put it right.
I had no plans to be an entrepreneur. I just wanted to be a journalist and write for a magazine. At 15, I just decided to leave school and launch a national student magazine.
What made the magazine so popular was, even before I started writing the philosophy, there was a point of view in the magazine.
I was co-editor of the magazine called The Jazz Review, which was a pioneering magazine because it was the only magazine, then or now, in which all the articles were written by musicians, by jazz men. They had been laboring for years under the stereotype that they weren't very articulate except when they picked up their horn.
I think if we keep on doing good music and people like us and they buy the magazine because we are in the magazine then they cant basically hate us hopefully.
Hollywood is just like high school: The popular people love the other popular people. And the thing is, some people aren't nice. Or they are nice, but only to your face, not elsewhere.
People turn off the news, stop reading in-depth magazine articles - especially young people. Look at the increasing reluctance of young people to vote. I think a lot of that is directly - you can lay it at the feet of these negative campaigns and relentless attack ads.
I read a magazine called 'Cinefantastique' that had just come out with a making of 'Star Wars' issue. They had some very long and detailed interviews with a whole bunch of people at ILM. I think I memorized that whole magazine.
I always think back to my high school days and realize all the people who were so popular then are nowhere now and all the people who were steadfast and steady-going are somewhere. So high school doesn't necessarily translate to later in life.
I wanted to work in Hollywood. I was captivated by it. I read 'Premiere Magazine' and 'Movieline Magazine' and 'Us' before it was a weekly magazine.
I was writing very early, like I was involved in our high school literary magazine, which was called 'Pariah.' The football team was the Bears, and the literary magazine was 'Pariah.' It was great. It was definitely a real sub-culture. But I wrote stories for them.
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