A Quote by Sevyn Streeter

You should find the dopest producer in your area, and that producer is always going to want songs written to his beat. — © Sevyn Streeter
You should find the dopest producer in your area, and that producer is always going to want songs written to his beat.
I realized you can be the dopest producer technically, but if the songs don't give you emotion, it doesn't matter.
I just always want a new producer. I'm going to have a new producer on the next one. Because I'm the same person, and I feel like, I know I'm going to bring to it a certain sensibility that's me, and I want to have something different coming out on each album.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
I would love to do a track with Will.I.Am. He's always creating amazing songs. I mean, to be honest, Chris Brown has always been amazing, so I would hop on there and let him do his thing and create some magic there. As for a producer, I would love to work with J.R. Rotem. He's my favorite producer out there.
I think a lot of people who watch TV don't realize when they're watch TV shows and it says 'produced by' and producer, producer... there are all these producers. What the hell does a producer do? It's funny how much you have to worry about as a producer.
A producer has to want you. And if the producer trusts you and asks for your vision, it frees you up so much, not having to explain or fight for every decision. You're allowed to create.
Sometimes you're with a producer who just makes beats and you can kinda do your thing to whatever beats they come up with. But sometimes you get with a producer who really produces you and the music together, not just the beat then you can kinda throw in your ideas and vibe off each other.
I love being a producer, and I think I essentially still operate as a producer even though I now have control of marketing and the ability to green-light shows - something every producer wants but that they don't get!
You always have to remember in this business that the public doesn't care about us. It's very important to keep that in mind. If there is a public perception at all, they see the producer as a big old guy who smokes a cigar and has lots of money and lots of power. That's not what a producer is and, if it ever was what a producer was, it certainly hasn't been for a long time.
I was not, and am not, officially a producer of that film [I am love] but the work of what a producer does I learned at that stage and to a certain extent I've been a producer ever since.
I'm not a full-fledged producer, but I can be one if I want to really spend my time on straight being a producer.
I don't want to be labeled as a certain style producer; I just want to be producer and musician in general.
For me able to do the records I want to do and not have to worry about this producer or that producer or that trend, I'm not really interested in that.
If there is a public perception at all, they see the producer as a big old guy who smokes a cigar and has lots of money and lots of power. That's not what a producer is and, if it ever was what a producer was, it certainly hasn't been for a long time.
You must always assume that the relationship between writer and producer is that of adversaries - however you slice it. They may be your dearest friends, and they'll invite you to dinner, but when all the smoke clears and the ozone lifts, your enemy is the producer, that's the guy you're competing with, and you have to battle him, just as if you were an adversary.
I think from the age of thirteen, I really wanted to be a producer and I've always thought that the producer was the top of the tree.
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