A Quote by Seymour Hersh

Writing about corporate America had sapped my energy, disappointed the editors, and unnerved me. — © Seymour Hersh
Writing about corporate America had sapped my energy, disappointed the editors, and unnerved me.
There's no lack of writers writing novels in America, about America. Therefore, it seems to me it would be wasteful for me to add to that huge number of people writing here when there are so few people writing about somewhere else.
I have always been a great dreamer; in dreams I am more active than in my real life, and these shadows sapped me of health and energy.
The only guy that was ever affected by climactic conditions in his acting was Kirk Douglas. He did a superb job in 'Lonely Are the Brave' because we were shooting that picture up at about 12,000 feet, and the rarefied atmosphere sapped him of any energy or strength that he had. That was his best performance.
When we dislike someone, or feel threatened by someone, the natural tendency is to focus on something we dislike about the person, something that irritates us. Unfortunately, when we do this--instead of seeing the deeper beauty of the person and giving them energy--we take energy away and actually do them harm. All they know is that they suddenly feel less beautiful and less confident, and it is because we sapped their energy.
Honestly, I've never had anybody with 'Teen Mom' ever be anything but great to me. Except the editors - they suck. Everybody from the crew, I love them, they're like family to me... I've never had a problem with any of them. Except the editors.
Without editors planning assignments and copy editors fixing mistakes, reporters quickly deteriorate into underwear guys writing blogs from their den.
The LPGA is basically corporate America's dinner party, and they can invite whomever they want. They're not ready for people getting up and making declarations. The bottom line is corporate America is pretty homophobic.
The journey over the bridge had unnerved me. The river water passed me by like an untouched drink. I suspected that even if my mother and brother had not been there I would have made no move to jump.
Donald Trump wants to dramatically reduce America's corporate tax rate (to 15%) and thereby unleash economic growth. Hillary Clinton hasn't said a word about lowering corporate tax rates. Being a Fedzillacrat, you don't need to be an economic soothsayer to know that she supports taxing the producers and further strangling America's anemic economy.
If you look at any list of great modern writers such as Ernest Hemingway, William Faulkner, and F. Scott Fitzgerald, you'll notice two things about them: 1. They all had editors. 2. They are all dead. Thus we can draw the scientific conclusion that editors are fatal.
Donald Trump actually won a lot of people. We've got to give the president-elect his due. He was a tractor beam for the disappointed. He said to the people who were disappointed with the president on Obamacare, "Come to me." He said to the people who were disappointed with trade, "Come to me." He said to the people who were disappointed with the Supreme Court, "Come to me." And he did run a campaign of bringing in the disappointed. And to the people who may be disappointed with their own lives and where they are. And they have a person to speak for them.
It took me 14 years to write poems about Vietnam. I had never thought about writing about it, and in a way I had been systematically writing around it.
I was writing a book about sustainable energy, and a friend asked me, 'Well, how much energy do you use at home?' And I was embarrassed. I didn't actually know.
I think there's a big difference between the impact of trade agreements on corporate America and the impact on Mr. and Mrs. America. Corporate America has adjusted to them by investing lots of capital offshore... What we're doing is we're exporting jobs and importing products instead of exporting products and keeping jobs.
If we live in a perpetual state of outrage, Trump wins. Because when we become depleted and exhausted and sapped of our energy, we're not as resourceful, creative, or effective.
As one of the first editors at 'Outside' magazine in 1975, it was my contention that most American writing going back to James Fennimore Cooper and then through Twain up to Hemingway had been outdoor writing. At that time, adventure writing meant stuff like 'Saga' or 'Argosy.' 'Death Race with the Jungle Leper Army!' That kind of thing.
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