A Quote by Shabana Azmi
I grew up in a family that believed that art should be used as an instrument for social change.
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Some people feel that the purpose of cinema is entertainment - which in itself is a healthy enough goal, provided you define what constitutes entertainment. But I come from a family where I grew up believing that cinema - art - should be used as an instrument for change and that's the kind of cinema I've largely done and been attracted to.
This led me to understand that trade unionism, the instrument of working-class liberation and of social change could, and indeed should, be also an instrument of industrial progress.
Politics are not an instrument for effecting social change; they are the art of making the inevitable appear to be a matter of wise human choice.
I was the enemy of the major studio. I believed in one man - one film. I believed one man should make the film. And I believed the director should be that one man. One man should do it - I didn't give a damn who. I just couldn't accept art as a committee. I could only accept art as an extension of an individual.
I definitely grew up differently to most of my friends, and that was a little bit of a struggle then. I wouldn't want to change anything about the way I grew up, even though it was a different situation. I still love the way I grew up, and I had an amazing childhood with a really supportive family.
As a student, I was a total jhalli who used to wear torn denims, faded kurtis, kohled eyes and thought that I was the coolest girl ever! We were a bunch of students who used to do social-issue-based street plays and believed that we could bring about a change in the world.
When I grew up, in the time of 'Look Back in Anger,' the theatre was very exciting, a place where you felt that social comment could lead to social change.
Now culture being a social product, I firmly believe that any work of art should have a social function to beautify, to glorify, to dignify man... Since any social system is forced to change to another by concrete economic forces, its art changes also to be recharged, reshaped, and revitalized by the new conditions... The making of a genuine artist or writer is not mysterious. It is not
the work of Divine Providence. Social conditions, history, and the people's struggle are the factors behind it.
I grew up speaking English and Spanish. I grew up moving from country to country due to political, governmental, and social issues and just family atmosphere that wasn't right to bring up your kid in a country where there's a dictatorship or a communist type sense, so I incorporate that int music.
I grew up with a single pair of shoes until I grew into the next size. My parents believed in the American dream and the power of education but didn't have the money to send me to college. I realized early on that I needed to go against the flow and be better than everyone else to support my family.
I grew up in a family that believed love was at work in the world. I guess that's a religious idea, though of course it needn't be.
Paul Gray - he believed in my art, and I believed in his music. Together, we decided to change the world, and that's what we did.
The history of science should not be an instrument to defend any kind of social or philosophic theory; it should be used only for its own purpose, to illustrate impartially the working of reason against unreason, the gradual unfolding of truth, in all its forms, whether pleasant or unpleasant, useful of useless, welcome or unwelcome.
I grew up in an Orthodox family, as I grew older, I became Conservative and that's how it ended up. But I've developed that Jewish feel to my act from my surroundings and my family.
I grew up in a family where I had a lot of different siblings from - you know, I grew up in a big family, and I think it's a beautiful thing.
I think art is beautiful. It's decoration and adornment. But art is also a really important vessel for social change, and social change begins with thought. And so if you can find humor in something and take a moment to rethink it, you can take a step back and look at your values from a different angle. I think that's a really important way of carrying on with life. I think the best art for me is funny and the best comedy for me is art. Some of my favorite artists are comedians. Comedy is art, and art can be comedy, and the intersection is vital - at least for my own work.
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