A Quote by Shabana Azmi
As an actor I have a cushy position because everything gets set up for me. I am only needed to learn my lines , take the light, hit my mark and rev up the emotion.
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I feel like everything you learn as an actor growing up is wrong. You're supposed to hit your mark, find your light and know your lines. Those are all things that just make things wooden, dull and boring.
They tell you to memorize your lines, follow your light, and hit your marks. Those are the three things that you shouldn't do. You should not learn your lines, you should not hit your mark, and you should never follow your light. Find your light - that's my opinion. Everyone else will tell me I'm wrong, but that's my opinion.
Televisison is like a factory line. You need discipline and focus. You have to hit your mark and know your lines. It's not that I don't know my lines when I do a film, but the pace of discovery is always a little bit more relaxed and nurturing and almost babying, in a way. Television toughens you up, and I like that, but I don't want it to toughen me up too much.
I love live theater. I get my rocks off by doing stand-up, and I am the only actor. But to show up eight times a week and not have that time for myself; to do someone else's lines? When I work for Wendy Wasserstein or Terrence McNally, Neil Simon or even Shakespeare, I do not have the right to change the lines.
Like a young eaglet that gets pushed out of the nest at the appropriate time, a young man must learn to fly on his own. If the nest is too cushy, if all of his creature comforts are there for his enjoyment, then he may set up his high-definition television and perch for a while.
Me being in Houston, I wanted to leave there because it was only known for one thing. That's why I hit N.Y.; that's why I hit L.A. That's why I hit Paris, London. I just picked up basically everything, but I morphed it into what Travi$ Scott is and into what I know is fresh.
I'm going to fail to hit the mark I've put up before me because it's not possible to hit it. I want to be the best at what I do so I've got to get over myself already because that's never going to happen. I ain't ever going to be God.
Be good to people, be kind to people, show up, read the lines, hit the mark, and go home.
Really, I've been set up for a good position where Duke is setting me up for a lot of exposure, and it's part of my responsibility to show up for them because the team that we have, I play a really vital role.
As an actor, you're always worried about getting stuck on a show that's not good because working actors need the paycheck. So being cast on a regular procedural, where everything gets wrapped up by the end of the episode, was always a fear of mine because that doesn't really test you as an actor.
I never don't know my lines. I never take the audition pages into the room. I end up relying on them or looking at them too much, and it makes me feel unprepared, so I always learn my lines without fail.
I was born in Japan, and I grew up in England, and I wanted to be an actor when I was a child because I had an uncle who was an actor. I wanted to do everything he did, and he told me to learn how to dance first. So then I learned how to dance.
I have a few different managers, and one of them hit me up today and was like 'I'm going to set you up with these guys doing beats and such...' I was like cool, as long as I can do what I do. Just because kids are going like this now, I'm not going to do that because I am not 18 years old. I'm not going to rap like I'm in grade three because it's popular. I'm just not going to do that. It's not because I'm being stubborn, and I definitely not that guy that is getting older and does not understand the younger generation.
My dad never took himself too seriously. He always treated everyone with respect, and he made sure I was like that, too. I show up, I hit my mark, and I say my lines.
I rarely cry. I save my feelings up inside me like I have something more specific in mind for them. I am waiting for the exact perfect situationand then BOOM! I'll explode in a light show of feeling and emotion - a pinata stuffed with tender nuances and pent-up passions
It's hard enough to just be a good actor. When you're on set, there's everything going against you. There are walkie talkies going off, the camera is creaking and moving, there are boom mics, and you have to hit your mark and make sure you don't shadow the other person's face. It's a really technical process.
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