A Quote by Shaggy

I've always been faced with all kinds of criticism. People were saying, 'Oh, Shaggy is pop. He can't do dancehall,' even though I came from dancehall. — © Shaggy
I've always been faced with all kinds of criticism. People were saying, 'Oh, Shaggy is pop. He can't do dancehall,' even though I came from dancehall.
In the dancehall world, we have crews and they battle. It's part of the entire culture surrounding dancehall.
If I'm gonna make a dancehall record, I'm gonna reference the best dancehall that I know - even if it might just be super underground, but I know it's quality.
Dancehall has always had a homophobic problem, but you go to dance parties in Jamaica, and some of the biggest dancers are kinda gay, just not outspoken about it. Dancehall was the first kind of music I was DJing, and it was always more about the rhythm.
I see dancehall reggae and hip-hop as fused together, When I was a kid, they were the two kinds of music that spoke to me and said 'Move!
I see dancehall reggae and hip-hop as fused together, When I was a kid, they were the two kinds of music that spoke to me and said 'Move!'
Dancehall culture in Europe is very close to Jamaica. Europe and Japan have a very close link to Jamaican dancehall culture, where it's all about sound-systems and horns and girls dancing all crazy - that happens a lot in those places.
I've been criticized for doing so - crossover music. But I never claimed to be a pure dancehall artist.
Dancehall music is perceived as party music, which it is because of the rhythm, but there are messages that do come through or a purpose of an artist saying something to the world. People usually don't get the messages because of the partying.
Look, the Jamaican dancehall stuff, the reggae influences and the ska influence, are always going to be part of our DNA.
'Sorry' is unlike anything Bieber has made in the past. It has been classified as 'tropical house' and 'dancehall,' but everyone seems to agree on one thing: It's a banger.
Dancehall is just like hip-hop in that it doesn't always talk about bling; it talks about conscious issues.
I grew up on dancehall music, and it holds a strong place in my heart.
I guess, like, I've always listened to rap, and I remember I specifically started listening to, like, pop-rap when I was, like, 11, you know, like Shaggy. I love Shaggy. And then I discovered, like, underground rap when I got to high school, and really, that's when it kind of blossomed. I don't feel like my love for rap blossomed off of Shaggy.
Even my mom is calling me Shaggy now, which is weird, because Shaggy is more like a character that I play. Shaggy is flamboyant; he's cocky. And I can't live that twenty-four hours a day - hell, no.
Here's the key to Jamaica, the secret to Jamaican dancehall parties, no matter where you are in the world. If you do not see Japanese people, you're at the wrong party. They source authenticity like no other culture I've ever seen.
I used to buy records in high school. Mainly dancehall: Super Cat, Buju Banton.
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