A Quote by Shaggy

I'm no stranger to making timeless music. — © Shaggy
I'm no stranger to making timeless music.
When you go back and really listen to the legendary rappers, this is timeless music. Guys like Biggie, guys like Pac, timeless music.
I don't know about timeless. I actually think most of what I do is completely modern, but universally modern. Who decides what timeless even means? Are the things that we consider timeless now going to, in fact, be considered timeless in 300 years? Probably not.
Programming (or making music) at night is dreamtime, a period exclusively mental, utterly absorbed, sustained and timeless, placeless, disembodied.
I'm making music for people to have fun and party to. I'm also making real music as well. I'm making a lot of pop stuff. I'm definitely just making music for the consumer and the listeners. So shout out to all my fans.
'Free Bird' is timeless, 'Sweet Home' is timeless. They're just timeless songs.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
Most of the fans of Calpurnia are 'Stranger Things' fans, which is not a big deal at all. They're super loyal and incredible, and really do like the music. It's the people who aren't fans of the music and are just there because of 'Stranger Things' that really bother me.
I have made a few 'Stranger Things' related TikToks because my fans love that and I definitely plan on making some while on set of 'Stranger Things' when production starts up again.
When you make timeless music - and I like to think that's what I'm doing - the fun part is picking the songs. You can clip and flop and mix and match, and when the record is timeless and it feels good, you know it's going to have the same appeal whether you put it out now or 10 years from now. That's what I'm about.
I'm from Louisiana, and that's where I got my start, in Cajun music. There's a huge music scene down there centered around our culture. Those are people that are not making music for a living. They are making music for the fun of it. And I think that's the best way I could have been introduced to music.
I wasn't making music for the sake of music but rather making music in the context of other music. At the same time, it doesn't mean I'm not going to try and do that some day.
Great music, timeless music is hard to come by, but there are some that are like that.
I think everybody don't know what color I am. It's like, "He's not black enough. He's not white enough. He's got a Latin last name but he doesn't have - he doesn't speak Spanish. Who are we selling this to? Are you making urban music? Are you making pop music? What kind of music are you making?"
As far as the creative side of making great, great albums and really trying to go down in history? I don't see that happening lately, you know what I mean? You have a lot of guys is talented, but at the same time, timeless music is more important to me.
It was important for the first piece of original music that I release to have a timeless feel because that's the type of music I want to make.
In Moscow you sit in a huge room at a restaurant; you know no one and no one knows you, and at the same time you don't feel a stranger. But here you know everyone and everyone knows you, and yet you are a stranger - a stranger... A stranger, and lonely...
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