A Quote by Shah Rukh Khan
When I think back on it, of course I got lucky and got great directors and good breaks but all that was the physical part. But what made me a star was that I could take a chance and not have anything to worry about in terms of losing.
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We often don't think of them, we think of the great wars and the great battles, but what about losing a son or a daughter, or a girl losing her husband or vice versa? I think of the people who never got the chance to have the opportunities I had.
I don't think about losing or worry about losing. I'm not afraid to let it go and I don't care if you beat me. If you do, that means you were the better man, but only elite fighters can beat me. There can't be shame in losing because you are up against great competition and there's always that chance.
Directors like William Friedkin (Killer Joe), Steven Soderbergh (Magic Mike) and Lee Daniels (The Paperboy) got in touch with me and wanted me to be part of their films. That was a whole new chapter for me. I didn’t chase any of those films and it made me think that I was right to take a chance, say no to the kind of thing I had grown tired of doing, and wait until something good came around. And it did.
Interceptions are gonna happen. You can't worry about that. 'I made a mistake? OK, I have to make up for it.' That's my attitude about it. If I worry about it, I've got no chance.
The best part of success is that it got me past the basic survival level of existence so that I was comfortable. I didn't have to worry about stuff pertaining to survival. Once that was taken care of, I got the chance sit down and create and work at what I do.
Roles came to me. I was very, very lucky in that respect. Great directors, great writers, great producers - they saw something in me that they wanted for their picture or their play or whatever it was, whether it was Edward Albee or whether it was - or Peter Hall, directors. They would come to me, thank God. I was lucky. Lucky, lucky, lucky.
I got off Twitter, because I started feeling like it was not adding anything positive into my life. If anything, it was more negative. But now I'm back on it because it can be fun. I think, as an actor and a public figure, it's a different experience when you put yourself out there in that way. I think it can be a great tool, and that part I'm comfortable with. But the part that's kind of more personal, that part I'm still struggling with, because I don't really want people to know everything about me.
I was very lucky - it wasn't a question of being wealthy; my father was just extremely lucky with the couple of jobs he got. So we got a chance to travel when nobody else could travel.
There's a paraphrase about Orson Welles saying: "Great films are made by great directors and the rest are made by everyone else." I've been very lucky... before I start insulting the profession of directing, but I think a good director is everything and a bad director really is nothing at all.
I'm going where my heart will take me
I've got faith to believe
I can do anything
I've got strength of the soul
And no one's gonna bend or break me
I can reach any star
I've got faith
I've got faith
Faith of the heart
Watch 'Fear the Walking Dead,' because we'd love your support, but I think 'The 100' is such a great show; it was a great show before I got there. It's only getting better, and I'm so lucky I got to be a part of it.
I've got actor friends who didn't get breaks, who struggle and worry about things that I'm fortunate not to have to worry about.
What I loved about playing the corpse is that obviously somebody else got to do the physical part. It appeals to the part of me that likes playing character parts and getting the chance to get away from my own physicality.
Back in 1987 when they drafted me. The Indians were the only team interested in taking a chance on Albert Belle, and I made the most of it. Hopefully, they got as much from me as I got from them.
My friend Madea has "attitude" that comes with wisdom. Back in our teens and twenties, we thought we knew everything and made all those foolish mistakes. Then, when we got a little older, at thirty, we started getting these flashes of light, revelations of what a great and lucky thing it is that we didn't get caught doing those stupid things back then. Around forty, if we are lucky, we stop lying to ourselves. Fifty and above, we've run out of patience for foolishness. Take me to the bottom line.
I've been joking that if Madonna taught us anything, you've got to reinvent yourself. I think it's important as a filmmaker, as any person working in the arts, that you've got to try new stuff and challenge yourself and take chances. I've tried to take a chance with every film I've done - I've never done it the easy way, and I think that's because that's what excites me, is making as big a mountain as I can in front of me, and just trying to mount it.
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