A Quote by Shaheer Sheikh

Feeling and reacting has more impact than just trying to emote what your character's saying. — © Shaheer Sheikh
Feeling and reacting has more impact than just trying to emote what your character's saying.
You get a feeling on certain trails, when you're reacting like you and your machine are just one thing. It's the feeling of physical exertion and speed and technique all wrapped into one.
When I'm watching Tom Servo, I don't feel like I'm in my own body; I'm just reacting and saying what the character in front of me would say.
I really feel our job as actors is to find a human experience in the character. So, for me, genre comes second; it's about script and the emotional journey of that character. Genre definitely has an impact, but it has more of an impact on the way the character is expressed. We all have the same core emotions of love, jealousy, rage - it's just how they're expressed.
There's a kind of chemical spark that comes sometimes with the character, that you don't even have to think about how she is reacting, you just let yourself go. You just let the character take you, instead of taking the character.
I wouldn't say portraying a character in a film like 'Wanted' was easy. But it was fairly easier than playing a role where one is expected to emote more depth on screen.
The feelings that we equate with love-feeling sick, feeling insecure, not eating-that's just lust getting in the way. It's your ego saying, 'I want to get laid' and 'I hope she likes me more than I like her.' Love is something that should be there in 20 years' time.
What really matters is not how well a character fits a definition, but how strongly he or she resonates. Characters with strong, resonant ideas at their core will have more of an impact on the cultural consciousness than a character who's just an empty collection of attributes.
You have to emote much more to get what you're trying to get across to come through a quarter inch of latex that's superglued to your face.
In a lot of things I'm reacting to a lot of things. I'm reacting to a lot people around me. Sometimes not necessarily saying anything but I just have to be thinking it.
The best feeling is when you are remembered for the character you play on the screen and people associate you with that character. There is no better feeling than that feeling.
The idea that when one reacts, one is not reacting to any one of those moments. You're reacting to the accumulation of the moments. I wanted the book, as much as the book could do this, to communicate that feeling. The feeling of saturation. Of being full up. I wanted it to be simulacra.
Spend more time building your character than trying to build your platform.
I'm just a man. I think people are reacting to something else when they see me. They're not reacting to me, Eddie Murphy. They don't even know me. It's just luck and the God in me they're reacting to.
Only one time have I had Twitter open when I was doing a game, and after that I took it off my phone. I said, 'This is so counterproductive. I'm actually reacting to people reacting to what I'm saying, and it can't work that way.'
A black character is much more than just a black character; he's a character, period. So show the world as it is. Even with all your artistic license, you make a political choice.
In 'Road,' my character is linear and uni-dimensional. It was more of a reacting character. I am a foil to the other characters in the film. It is the most normal character in the most abnormal, extraordinary film.
This site uses cookies to ensure you get the best experience. More info...
Got it!