A Quote by Shahid Khan

I don't think it's any different if I'm in the U.S. or in London. I look at operations globally. — © Shahid Khan
I don't think it's any different if I'm in the U.S. or in London. I look at operations globally.
London is the most multicultural, mixed race place on Earth. And I love that. I grew up in a neighborhood in London where English wasn't necessarily the first language - maybe because of that, I love to travel. Every penny I've ever saved has been spent on airline tickets to different corners of the world. I think that's partly from growing up in London. I've taken that bit with me - this ability to fit in with any culture and be fascinated and respectful with any culture all started from growing up in London.
You look at the world situation, look at London, Paris, Italy, it is all basically the same as the U.S. Then you look at other places such as India, Bali, with warmer climates, you know the Southern climates, they are very different. I think there is a time and place for everything and in Australia, for example, it is completely the opposite. I don't think we can be designing for that customer per se.
London Fashion Week is so different from any of the others. Compared to the strictness in New York, London seems freer from commercial constraints. Truer to the process, to street style, to a sense of humour.
Can you think of any problem, in any area of human endeavour, on any scale, from microscopic to global, whose long-term solution is in any demonstrable way aided, assisted, or advanced by further increases in population, locally, nationally, or globally?
I went to stage school, I went to Rada, I've been in this London bubble for as long as I can remember, which is involved with being as inclusive and accepting of any people from different countries, different walks of life, different religion - that's who I am.
I think what's really interesting and useful about this question is that ultimately all art is a type of self-portraiture. And so in the act of identifying yourself, you're using others to get to that point. And so you're parsing out different aspects of different people in the world. You're choosing not only from America but increasingly globally different aspects of what's out there.
'Kraken' is set in London and has a lot of London riffs, but I think it's more like slightly dreamlike, slightly abstract London. It's London as a kind of fantasy kingdom.
Even though we look at the past through the lens of distance and think that because people are wearing different clothes or have different technology, their experiences are different, it's all the same, right? Our experience of love and sex and death are the same in any time period.
You can be yourself in London. If you are a bit different in the way you dress or look it is no problem.
I think there are different kinds of quarterbacks, and if you look at any offense, there are different kind of quarterbacks, but you play to the strengths of whoever the quarterback is for the team.
As far as cities, I love London. I go to London very often because I think the young people there are very creative. I also love New York, of course, and the clash of different cultures you find there.
I live on a plane. I like to visit London. If I had to think where I could live if not Moscow, London would be my first choice, and second would be New York. In Moscow I feel most comfortable. I'm used to four different seasons; it's difficult for people in London to understand. People brought up in Russia like my kids want to play in the snow.
I think London as a city is so diverse and multicultural, anything goes really. The fashion here reflects that - there are so many different styles of dressing throughout the city. In London, you can be very experimental with fashion; it's totally accepted, even if you stand out.
In general, we mean by any concept nothing more than a set of operations; the concept is synonymous with the corresponding set of operations.
I don't think that military-style information operations is conducive for any democratic process.
I'm timeless, I got that Dickensian, London street-urchin look in high school. I'll never be in style, but I'll always be different.
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