I was in several bands, and we just started off doing the clubs and dancehalls in the valleys - and eventually moved on to the colleges and universities.
When I was doing dancehalls, nobody was doing well in dancehalls. Dancehalls was not mainstream music that was blazing charts and knocking down barriers. This was an underground phenom.
I've never claimed that this is investment art. When we first started out, all the art colleges and universities across the country would sort of badmouth what we were doing. It's funny that a lot of them now are sending us letters saying, 'We may not totally agree with the way you paint, but we appreciate what you're doing, because you're sending literally thousands of people into art colleges.'
I started writing songs for youth theater and stuff, and so it's really writing music for the stage that started me out, but then I eventually went to music college and did a two-year course in contemporary music and then just played in endless bands, cover bands, jazz bands.
I started out playing big bands shows and different things. I was with several different small bands and groups, doing comedy and singing, emceeing, and I got a break with a very big star of the late fifties whose name was Tommy Sands.
I think most people start rock bands in their early twenties or teens, but I was almost thirty at the time when the band started really doing anything and it took another several years before people started caring about us.
I just started the way most comics start, doing open mic shows around Sacramento and San Francisco, and eventually, I moved to L.A. After about four or five years in L.A., I got the call to join the 'The Daily Show.'
And just because you have colleges and universities doesn't mean you have education.
Some colleges and universities in Virginia have chosen to ban concealed carry, and we believe that those universities have created more dangerous environments for their students, faculty, and staff.
I got my first real job, one that didn't involve wearing a hairnet or bending over the hood of a wet car with a towel in my hand, in the early '90s working for CBS Records. While there, I started my first of several rock bands and eventually wrote my first book, the semi-autobiographical novel, 'Don't Sleep With Your Drummer.'
I grew up kind of in the country, in western Georgia. And then I moved a lot closer to Atlanta, and I started doing plays, and when I started doing film, I think I really started to love it.
I just think I started off like many composers, just in different fields of music I was doing. I started doing a lot of commercials and jingles, and then that led to doing TV and then films and games and TV.
If our colleges and universities do not breed men who riot, who rebel, who attack life with all the youthful vim and vigor, then there is something wrong with our colleges. The more riots that come on college campuses, the better world for tomorrow.
When I was a kid, I was playing in various bands - amateur bands, garage bands, weekend bands, you name it, around the area. At some point, I just wanted to try the whole 'Beatle tribute band' thing, so I found a local band that was doing that.
I started doing drag in Seattle because I started doing my column before I moved here, and then moved here and wanted to be able to go out and do things as Dan Savage without being recognized the next day, because the column was just in Seattle and it was kind of a sensation and I was beating people up. I was really worried and I didn't want to beat somebody up in a column and have that person know what I look like when I didn't know what they looked like.
My intent when I moved to L.A. was to get in good with the comedy clubs and, eventually, try to break into Comedy Central and have my half hour special.
These new metal bands are going out, getting drunk and going to strip clubs, and they'll be doing the same in thirty years. There isn't even an interesting self-destructive quality to it . . . it's just dumb.