A Quote by Shakira
I'm proud that I've been able to work with other artists to make sure that the smallest voices - the voices of our children - have a chance to be heard. Artists can reach, inspire, and motivate young people and leaders in a powerful way.
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Once avant-garde artists receive official recognition, they start a double life. In one, they inspire younger artists to do more. In the other, they inspire a mass of imitators who make the work respectable and exclusionary. The artists and their art become intellectual brand names.
When we don't pay close attention to the decisions made by our leaders, when we fail to educate ourselves about the major issues of the day, when we choose not to make our voices and opinions heard, that's when democracy breaks down. That's when power is abused. That's when the most extreme voices in our society fill the void that we leave. That's when powerful interests and their lobbyists are most able to buy access and influence in the corridors of power - because none of us are there to speak up and stop them.
For spiritual companions I have had the many artists who have relied on nature to help shape their imagination. And their most elaborate equipment was a deep reverence for the world through which they passed. Photographers share something with these artists. We seek only to see and to describe with our own voices, and, though we are seldom heard as soloists, we cannot photograph the world in any other way.
We cannot silence the voices that we do not like hearing. We can, however, do everything in our power to make certain that other voices are heard.
For its part, Government will listen. We will strive to listen in new ways - to the voices of quiet anguish, to voices that speak without words, the voices of the heart, to the injured voices, and the anxious voices, and the voices that have despaired of being heard.
I think when we do our job right, our artists don't sound like anybody else. I have a real hard time with voices that sound like other big voices.
The voices of the residents of Flint did not get heard by people that were making decisions and I think that's the most important thing. I want to make sure those voices are answered in the future.
I now understand what Nelle Morton meant when she said that one of the great tasks in our time is to "hear people to speech." Behind their fearful silence, our students want to find their voices, speak their voices, have their voices heard. A good teacher is one who can listen to those voices even before they are spoken-so that someday they can speak with truth and confidence.
I had a moment where I realised I could do silly voices, that lots of people I knew couldn't do silly voices, and that thus I must be able to make money doing silly voices.
I believe artists should be able to step into other people's situations, contexts and cultures and work from there. If artists don't have that freedom, then, as someone has said, are we all writing our autobiographies?
I know there are a lot of musicians and a lot of artists, and there are a lot of writers and other people who inspire young people, but I'd like to see somebody in political life be able to connect and make these choices that we need to make in Washington real in terms of people's lives.
We need artists to help us come together and share our voices and build community around powerful issues concerning our roles in the world and our planet's survival. Compassion must be translated into action.
The more queer characters I play over my years of working as an actor, and the more I see other young artists stepping up with the same intention I have, to make space for the voices of a generation of people who may not fit the status-quo, the more it inspires me to keep going.
You could make the most beautiful film, and that weekend it's raining too hard on the East Coast, and no one goes out. Artists should have a chance to do it again. That's the challenge: Women artists don't get a second chance. People-of-color artists don't get a second chance. You're put in director's jail, and that's a wrap.
There's a lot of magic in voices. I love voices that are very old, very gravelly, very deep. I like metallic voices; I like velvety voices. The voices of children.
God works for man through man and seldom, if at all, in any other way. He asks for our voices to speak His truth, for our hands to do His work here below, sweet voices and clean hands to make liberty and love prevail over injustice and hate.
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