A Quote by Shakira

I always knew that I was tremendously creative. I recited love poems, I wrote stories and I got excellent grades in every subject, except for maths. — © Shakira
I always knew that I was tremendously creative. I recited love poems, I wrote stories and I got excellent grades in every subject, except for maths.
Older boys were allowed to beat younger ones at my 15th-century English boarding school, and every boy had to run a five-mile annual steeplechase through the sludge and rain of an October day, as horses do. We wrote poems in dead languages and recited the Lord's Prayer in Latin every Sunday night.
My songs were influenced not so much by poetry on the page but by poetry being recited by the poets who recited poems with jazz bands.
I'm not exactly a maths genius - I'm really good at maths, maths was my favorite subject in school, but I wasn't a genius.
Maths? Aiyyo. You know what? I always had a love and hate relationship with the subject.
I always got good grades in creative writing from elementary school on up.
I was fine with everything except Maths. I was terrible at Maths.
It is hard to rationalise or explain why you love what you love. But I have always been interested in science and maths, and in high school I was struck that you could use maths to understand nature and science.
I think that the casual reader and the lyric and confession are trickily tied up together. I mean often when I read my students' poems my first impulse is to say, "O, the subject of this pronoun, this 'I,' is whatever kid wrote this poem." The audience for lyric poems is "confessionalized" to some extent. And I think this audience tends to find long narrative poems, for instance, kind of bewildering.
In other countries you can do high-level maths or general maths, whereas we've just got all-or-nothing. We need to give people another option from 16-18. Not everyone is going to want to become a rocket scientist but that doesn't mean that maths isn't extremely useful.
It's wonderful and reassuring to see 'Hichki' doing so well. When I got to know the subject and signed the film, I knew that we were working on an important and sensitive subject. I knew that we had a winner at hand. But as artists, we are always a little anxious about our work, that's just in our DNA, I guess.
One of these poems I wrote after having been here only a month. The other, I wrote this morning. In the space between the two poems, I have found acres of grace
I've always said there are four words that every child in the world knows, and those are, "Tell me a story,." Even the people who wrote the Bible knew that. They told stories, like the story of Noah.
"Only write what you know" is very good advice. I do my best to stick to it. I wrote about gods and dreams and America because I knew about them. And I wrote about what it's like to wander into Faerie because I knew about that. I wrote about living underneath London because I knew about that too. And I put people into the stories because I knew them: the ones with pumpkins for heads, and the serial killers with eyes for teeth, and the little chocolate people filled with raspberry cream and the rest of them.
I'm not sure whay I've been drawn to this subject, except that murder is a subject that has always drawn people for as long as people have been telling stories.
In order to be Miss Anybody you had to have excellent grades, and I had terrible grades because of my dyslexia.
I grew up in a very small, close-knit, Southern Baptist family, where everything was off-limits. So I couldn't wait to get to college and have some fun. And I did for the first two years. And I regret a lot of it, because my grades were in terrible shape. I never got in serious trouble, except for my grades.
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