A Quote by Shakti Gawain

If we look honestly at our relationships, we can see so much about how we have created them. — © Shakti Gawain
If we look honestly at our relationships, we can see so much about how we have created them.
If we look honestly at our relationships, we can see so much about how we have created them
People always go on about how fantastic relationships are in the beginning, and of course everyone hates relationships when they end, but what about the middles? the middles where you know everything there is to know. Where you can look at the person you love and know what they're thinking, see something on the telly and know how they'd react;When you know exactly what they'd wear to come round and see you.
I think that if we look at what created us, the divine intelligence that created every one of us all He can see is that beauty and love and care so if we could just show people how spectacular they are and how much potential they have.
These days, insecure in our relationships and anxious about intimacy, we look to technology for ways to be in relationships and protect ourselves from them at the same time.
What I really like about Woody Allen's films is that there's a real investment in personal relationships. There is the idea that this is a serious concern worth making serious art about - how we love other people and how we can negotiate our relationships with them.
In our relationships, how much can we allow them to become new, and how much do we cling to what they used to be yesterday?
A stranger can see in an instant something in you that you might spend years learning about yourself. How awful we all are when we look at ourselves under a light, finally seeing our reflections. How little we know about ourselves. How much forgiveness it must take to love a person, to choose not to see their flaws, or to see those flaws and love the person anyway. If you never forgive you’ll always be alone.
I just really care about what people see. I want them to know that I'm working hard for this. The artists that I look up to like, you know, Michael, Prince, James Brown. You watch them and you understand that they're paying attention to the details of their art. And they care so much about what they're wearing, about how they're moving, about how they're making the audience feel. They're not phoning it in. They're going up there to murder anybody that performs after them or performs before them. That's what I've watched my whole life and admired.
The great thing about Pete and Peggy's storyline is that you barely have to do anything. There's so much there, so much history, that you can have them exchange a look and it's so loaded. So you honestly don't have to do anything.
I believe in empathy. I believe in the kind of empathy that is created through imagination and through intimate, personal relationships. I am a writer and a teacher, so much of my time is spent interpreting stories and connecting to other individuals. It is the urge to know more about ourselves and others that creates empathy. Through imagination and our desire for rapport, we transcend our limitations, freshen our eyes, and are able to look at ourselves and the world through a new and alternative lens.
The most important part about tomorrow is not the technology or the automation, but that man is going to come into entirely new relationships with his fellow men. He will retain much more in his everyday life of what we term the naïveté and idealism of the child. I think the way to see what tomorrow is going to look like is just to look at our children.
When I think about [characters], I like to think of them in their relationships to each other. In the same way, I think that's how humans are ultimately defined. We are our relationships to one another. And a lot of what's interesting about us happens in the context of other people.
Many oriental cultures make a distinction between two ways of looking - 'hard eyes' and 'soft eyes'. When we look with hard eyes, we see specific details with sharp focus, but we don't see the relationships between different details as well. When we look with soft eyes we see the relationships between everything in our field of vision, but with this softer focus, we don't see all the details as clearly. It's possible to look in two ways at once.
As clichéd as it sounds, relationships between women do shape so much of our understandings of ourselves, starting with our mothers. I think all women can relate to the feeling of having merged with best friends. We begin to look alike, talk alike, even take on the same mannerisms. They are as close as family. We give a lot of attention to the heterosexual, nuclear family, but our friends determine as much, I bet, of who we are, how we feel, and how we behave.
How hard would it be to ask children what they see in their heads? How big should the house be in comparison to the family standing in front of it? What is it about the anatomy of the people that doesn't look right? Then let them try it again. Teach them to learn how to see and ask questions.
We created the spirituals. We created so much great music, jazz chief amongst our innovations, teaching us how to prize ourselves and how to speak to one another, that our kids don't know that achievement, there's no way in the world that could be good for us.
This site uses cookies to ensure you get the best experience. More info...
Got it!