A Quote by Shameik Moore
When I went to auditions, if I didn't know the lines, I wasn't getting the job. If I knew my lines, if I knew what I was supposed to be doing, I got the job. And it was always like that - if I'm working hard, I get the result that I'm looking for.
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I always knew I'd be in music in some sort of capacity. I didn't know if I'd be successful at it, but I knew I'd be doing something in it. Maybe get a job in a record store. Maybe even play in a band. I never got into this to be a star.
All I know is it was very easy for us to write the Barb character and I think that, you know, Shannon Purser - who had never acted before - just did such a brilliant job realizing her. And, again, without very many lines - 25 lines. And I think everyone feels like either they knew this girl or they were this girl.
I knew where people were sleeping in the hallways, you know, instead of doing their job. I knew what systems weren't working.
It's part of my responsibility, as an actor who has been lucky enough to have this job, to take my job very seriously, show up on time, know my lines, and give the best performance that I can because I'm doing something that so many other people work very hard to have and never get.
When you get in a job, the tendency is to say, 'I've got to know it. I've got to give direction to others. I'm in this job because I'm better and smarter.' I always took a different view, that the key was to identify the people who really knew and learn from them.
I'm quite severely dyslexic so I struggle with acting in certain ways. I always have to put in triple the amount of effort, which would always frustrate me a lot. I suppose that some people can just look at a script once and know it. That's not me. I really have to spend a bit of time with the lines. But it's my job and I've got better and better at it. If you're learning a lot, things start going quicker. Doing the lines with repetition and you just get it in your head somehow.
I'd been auditioning for parts for years. I never got any better at it. I'm crap at auditions. I know there are people who can walk into those rooms and make those lines sing on the page and get the job immediately. I wasn't one of them. I'm still not one of them.
I learned how to be a learner. When you get in a job, the tendency is to say, 'I've got to know it. I've got to give direction to others. I'm in this job because I'm better and smarter.' I always took a different view, that the key was to identify the people who really knew and learn from them.
When I first started, I didn't know what I was doing. I was such a - like a kid that got into things before I was ready. I was like the original learning-on-the-job-experience guy. All I knew was, if I hired the best musicians, I got the best arranger, and got the right songs for the right singer, I had did my job correctly.
My performances in auditions were so inept that I hardly got any jobs in film or TV. I just could not learn the lines and the thought of doing theatre terrified me. What if I forgot my lines in the middle of a scene with an entire audience watching?
Everyone's supposed to stay in their lines and be neat. 'You're a rapper. You're supposed to rap, carry a boom box, wear chains, and go to the club - that's all you do. What are you doing collecting art? What are you talking about? Wait a minute, you're getting out of the zone.' People hate when people cross lines.
The crazy thing is, I sent out 200 letters and I got one job interview, and I actually got that job, which was working as a development assistant at Joel Silver's company. I always say that to people when they ask "What do I do?" and I'm like, "Look, I didn't get ten responses, and I didn't get five interviews, but I got one interview, and I got the job," and that was all I needed.
I was a hard worker, and I always knew my lines.
I like the idea that Ernest Hemingway always wrote about certain things he knew, he knew the ins and outs, back to fronts of what he was talking about. I love that as an inspiration for myself, to keep it true to what you know. I'm always writing little lines and saving them for later.
By the time I got to the Fox studio for my first major film, I knew how to hit a mark. I knew how to memorize lines. I knew how to pay attention.
I always think my job is like any other job. Every job has good and bad parts, and mine is to be a musician. I know why I started making music and I always knew there was no plan B. I'm passionate about it. I love being in the recording studio and researching sounds with the possibility of discovering something new. That motivates me.
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