A Quote by Shameik Moore
Pharrell's affected everyone through music. To work with someone like that - it's a gift. You ever meet somebody you can learn so much from, and all you have to do is be quiet and watch? That's what it was like. I took in how he moves, speaks, how he creates, the whole nine.
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My whole world changed when Michael Jackson brought out the Bad album when I was about eight or nine. He took over my whole life and from then on I wanted to be Michael Jackson. I watched his videos for hours and learned how to dance like him. I would push back the chairs in the room and learn his dance moves. I even taught myself to moonwalk.
I know when I watch certain actors or if I watch Thom Yorke sing on stage, I'm affected by it emotionally. I guess that's what we are all striving for in art but that's such a beautiful thing that happens between two people that may never even meet. So when you do get to meet someone who was affected in that way, it's awesome.
Once you learn how to work inside the ring - once you learn how to tell a story - then you can come to a big company like the WWE and learn the extra stuff, like the video, the pyro, the music, and that adds to everything you can do.
Of course, you can never watch something like somebody else watches something like you, but nonetheless, you have to try. So I think on camera you learn a lot about how much the camera does for you, which is what is the great luxury of movie acting. Or acting whether it's TV or movies or whatever it is, that the camera's really such a gift because there's so much that it sees and does if you're willing to just be open and expose yourself and all of that. So you also learn what doesn't matter. And sometimes when you think about things, you think things matter that don't matter.
The creative part, with the writing of it and the vision, and finding the voice of a show and the characters, is much harder to teach somebody. It's like music. You can either play it or you can't. If you can't play music and you really struggle and work hard, you can learn, but you have to have some inner gift to take it to the next level.
You learn from music, from watching great athletes at work - how disciplined they are, how they move. You learn these things by watching a shortstop at work, how he concentrates on one thing at a time. You learn from classic music, from the blues and jazz, from bluegrass. From all this, you learn how to sustain a great line without bringing in unnecessary words.
The only real thing I took away from the military is that it just reinforced all the things I already thought about the underbelly of America, like how racist it is. So, it didn't really affect my music literally, but it affected the way I work on it.
When I'm doing sports, I always think of how it's related to singing, and when I watch tennis, I learn a lot for my singing: how the players are focused, how they use their technique, and, in the case of Roger Federer, how effortless it is and how beautiful it is to watch - like bel canto, in a way. That's how singing should be.
I feel like most of the objects coming through the ports are pretty useless. It sort of speaks to this larger point of how much we're actually taking in versus how much we really need.
When you go to that other country you realize that in France and in England, you don't ask somebody what they do for a living when you meet someone. A lot of the obvious things, the shortcuts we take in America - in America you can talk about money all you want. You can ask how much they make, rent they pay, how much their house costs and how much their car costs, and they'll feel comfortable telling you. But it's scandalous to ask anyone in England or France a question like that.
Like speaks to like only; labor to labor, philosophy to philosophy, criticism to criticism, poetry to poetry. Literature speaks how much still to the past, how little to the future, how much to the East, how little to the West.
I can't judge how another person does their [music] work. Everyone has a choice and the music industry is much more open that it was when I was younger. Certain things are gone, others have developed, but everyone makes their choices. Pop music has always been about the mainstream and what appeals to the public. I don't feel it's my place to judge. I just look at things as a fan, I like or or I don't like it.
I had to learn - since I'm divorced now and everyone is like, 'Oh my God, you're single, what's going on?' - that if I don't like to spend time with myself, how can I ask someone else to enjoy spending time with me? I'm getting to learn how to enjoy my solitude and have a good time.
What I don't like so much is people who - how do you say this? - who make judgments over the genre of reality like it's television from the devil, and that's something that I don't like because I think everybody should watch what they like. It's a free world. It's a form of democracy. If you like it, watch. If you don't like it, don't watch.
To me, collaborating with other women is almost like when you meet a girl in the bathroom and scream about how much you love each other's hair. Everyone's sound is so different, which creates something special when you mix it together.
Will [Smith] is not like preachy. He's more like lead by example. There's two ways to approach Will. You can follow or you can watch and learn, and I just kind of watched him and learned how he dealt with people, how he dealt with life and how he approaches his own work.
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