A Quote by Shameik Moore

My auntie and uncle live in Inglewood, and I used to stay with them when I would come to L.A. to audition for pilot season and other things like that. — © Shameik Moore
My auntie and uncle live in Inglewood, and I used to stay with them when I would come to L.A. to audition for pilot season and other things like that.
Pilot season is always crazy because you audition for a million things, and really, in the end, it's not up to you.
When you're trying to look pretty, it's a lot easier to compare you to other people. I always felt intimidated in pilot season trying to audition for 'the girlfriend.' Whereas when it's like, 'you're auditioning for the part of this meth addict, trailer park whatever,' it's like, 'Great!'
In between shooting for 'Awake,' I was attempting to have my own pilot season. The audition for 'Anger Management' actually came during a week that I was already testing for a couple other shows and we weren't really letting any other shows into the mix.
In between shooting for Awake, I was attempting to have my own pilot season. The audition for Anger Management actually came during a week that I was already testing for a couple other shows and we werent really letting any other shows into the mix.
One of the things I noticed about the '2 Broke Girls' pilot was that it looked like a new episode in a season and not a pilot, and that's an amazing sign.
I've always been someone who can just move. Some people in L.A. are addicted. They have to be here; they come for pilot season and stay here.
I grew up on movie sets, so it was something I just found familiar. When I was growing up also, in high school, I would audition for things and my parents let me audition for things - with the thought that I wouldn't get them. And then I would get them... sometimes, and it would surprise them.
From an actor's point of view, you never really like to hope that anything will go beyond the pilot. I'd always say to my agent every time I filmed a pilot, 'Great! Well, I'll see you at pilot season.'
Pilot season isn't perfect, and it certainly is a very difficult time. But pilot season does work for us.
I grew up in Inglewood, L.A., and South Central. I was always humbled by my situation. I would go on set and come home to my neighborhood and my block to my friends, and it would be a whole other story.
Every season I teach zombie school. The casting people in Georgia look for like 200 new recruits. They come in in groups of 20, and I audition them and grade them based on their look and their performance ability.
We used to do sock puppet shows for my auntie back in the day. Me and my friends would do accents of Englishmen, and we would sip tea and act like we were rich in front of the family, and they thought it was just hilarious, the level of perception that we had about things that we'd never experienced.
I wasn't really interested in doing anything except going from pilot season to pilot season and sowing my oats in the months between and telling my agency to stop sending me movie scripts, because they'd pile up in my house and make me feel guilty because I had to read them.
('Mad Men') was my final audition of the pilot season. It had been three miserable, horrible months where I had zero callbacks, zero positive reception, one of those pilot seasons that makes you pretty sure you are never going to be an actor and never want to be an actor. And then that happened.
The audition process for 'Are You There, Chelsea?' was overwhelming and exciting. It was my first pilot season and one of the first pilots I auditioned for.
Most importantly, I realize the value of the other people - the extended family - the other people within my community, my cultures: my teachers and the other people I call Auntie, Uncle, Godfather, Godbrother, whatever. These are people who pulled you in and made you part of their lives and their homes.
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