A Quote by Shamir

I want people to listen to my music and everyone to feel included, and I think it's kind of working because all my audiences are always so colorful. — © Shamir
I want people to listen to my music and everyone to feel included, and I think it's kind of working because all my audiences are always so colorful.
We never settle for 'This is good enough.' It always has to be amazing because that's the kind of music we'd want to listen to, and that's the kind of music we want to give to other people.
I've always identified people's taste in music as being kind of hetero and/or homo - there's music people like because they feel like they have aesthetic similarity to it and the music they wish to create, and then there's music that represents the other, that they listen to because it represents an escape from the music that they have to make.
I feel very proud of everyone I've worked with on 'SpongeBob' because they're all brilliant artists working at the top of their game to make something really special, and I think audiences feel that.
I've always felt, as a person, that I wanted to make people feel included and loved because I think at some point in all of our lives, we've felt not included and unworthy, especially in terms of appearances.
I think a lot of people get intimidated by the language of music, but everyone owns music. I think there's nothing standing in between a composer and her audience. I think a lot of people feel that way because they feel it's rarefied, but it's really not. You should feel the impact of it without being able to name it because it's ultimately a primal thing.
I'm always intrigued by people that listen to my music, I just naturally want to get to know people who listen to my music because people who end up having such an attachment with my stuff, I wonder why they have such a connection to something that's so personal to me in the first place.
As for uniqueness, this is virtually nonexistent! And it's a shame that people think they're unique because they have a face ring, retro clothing, colorful hair, drive a certain kind of automobile or listen to some obscure musician.
I think it's because Toronto is the Gothenburg of Canada, with the trends and the music and everything. I feel very at home when I'm there. Everyone has always been so kind to me.
I think people assume that whatever kind of music you make is the music you listen to. Don't get me wrong, I listen to tons of pop music and all the music that really inspires Best Coast is very straightforward '50s and '60s pop music, but I've been listening to R&B and rap since I was a kid. I grew up in L.A. It's part of the culture. I listen to anything.
American audiences don't react in the same way as European ones to African music because, I think, Europeans listen to this music through all the festivals that exist here.
I got my own sound in Atlanta because I don't listen to anybody's music. When you listen to people's music, you start to say stuff they say as an artist because that's what you've been listening to. Me, I don't listen to anybody. I support, but I don't listen, because I don't want to run with someone style. I do my own thing.
I can never say that I don't want to work anymore. That would be an absolute lie because I enjoy, I take delight in, working in films because I feel it's an honour, you know, to entertain people, to regale audiences.
I think what matters is that we have to show people that we are an inclusive society that-that-that we want everyone to succeed. And I think there's more that all of us as leaders have got to do to be inclusive with people and make people feel like they're included in society.
My music is special to people and I'm going to keep on making this kind of music because a lot of people had a struggle like me. You got to feel my music. If you listen to it, if you give me a second, you play three, four songs, you will become a fan.
When I'm working, I always listen to music to zone everyone else out.
I used to be the guy who wanted to do everything myself, wanted to write and play everything myself, but the older I've gotten, the more collaborations I've gotten. I really enjoy working with other people to create different styles of music, because I really do listen to everything, and I enjoy every kind of music. I think some of the best stuff comes from working with people who have different perspectives on the same thing.
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