A Quote by Shamita Shetty

On the web, people are experimenting with something new in terms of characters and stories. It is exciting for actors, as we get a chance to do something new. — © Shamita Shetty
On the web, people are experimenting with something new in terms of characters and stories. It is exciting for actors, as we get a chance to do something new.
We just assume all the great actors are in New York first and then L.A. second, and it's so not true. There's such amazing talent everywhere. It's exciting that now that there are these sort of new Hollywoods or new filmmaking communities that really benefit from these great faces and character actors and leading actors that just are fresh and exciting and bring an authenticity to the piece.
There are some channels that are trying out new content. These shows have new and fresh stories. The trend on TV is changing, and along with this, there are web series, too. But the audience needs to get used to these stories.
When I go to the movies, one of my strongest desires is to be shown something new. I want to go to new places, meet new people, have new experiences. When I see Hollywood formulas mindlessly repeated, a little something dies inside of me: I have lost two hours to boors who insist on telling me stories I have heard before.
In the creative industries, there are few things more exciting than a zinger - a thought, idea, line, plot device - anything really, that just totally works in a fundamentally new and fresh way. It's like a uniquely lovely melody or a new taste idea in cooking. Something special, something new, something wonderful. They're also very rare.
People are looking for something new at the end of the day, and I think when people can do something new and unique to get people's attention, that's what is needed. There's so many people that follow the trend, and then it gets to a point where it gets a little stale. So, in music, I mean, whoever's the new trendsetter, that's who people follow.
Teaching is enormously satisfying because I'm constantly learning more. Just constantly being exposed to new voices and new life experiences and new worldviews and new structural dilemmas and new characters - it's really exciting for me.
Imperialism, or the conquest and colonization of other populations, other peoples, has had as one of its side effects the growth of a discourse of objectivity. That is, when you encounter something new, something strange, something different, you have to find categories for it, you have to come to terms with new objects.
Fashion is an archetype: you're trying to build a silhouette, and that is very similar to building up a building because you're trying to create a new structure, a new proportion, a new shape, and you're using a material to cut which is a bit mathematical. That idea of finding something new in terms of proportion is something that drives me.
If you see me playing a $1/$2 no-limit on PokerStars, I'm probably experimenting with something, trying something new seeing how it works.
The most important lesson is to never get comfortable; always come up with new ideas; learn something new; try something new.
People are looking for something sort of new and exciting to be part of. It`s like test-driving a car. You don`t want to just go on the lot and drive the car you had before, you want to drive something new.
I'm always looking for something new: a new inspiration, a new philosophy, a new way to look at something, new talent.
I think my interest in risk is pretty high, a lot higher than I think a lot of other people who are just looking for something to kind of define themselves, give them a set of fingerprints, and certainly is better for the pocketbook. For me it's always about trying new things and wanting to explore something else and something new of myself and of actors I really like.
If you want God to do something new in you, you cannot keep doing the same old thing. You have to do something different. And if you do, God will create new capacities within you. There will be new gifts and new revelations. But you've got to pray the price. You'll get out of this what you put into it.
I think I would like to discover a new root where people don't get bored with people singing boring lines but something exciting. That'd be interesting.
I wanted to make my stories, which are inspired by Asian stories, into something fresh, decontextualized - to give them new life as a new kind of fantasy that isn't so cloying and exotic and strange.
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