A Quote by Shamna Kasim

I have always wondered why I don't get as many good roles in Malayalam as I do in other languages. — © Shamna Kasim
I have always wondered why I don't get as many good roles in Malayalam as I do in other languages.
The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages.
When I emerged as a hero, there were times I had continuous hits in Malayalam. I also tasted success as a supporting actor in other languages. But there was a collective effort from a group in the Malayalam film industry to flush me out, which affected my career.
There are always seasons to a career and perhaps always the grass is often greener, you're often looking at other people's careers going, "Damn, they get all the good roles. Why didn't I read that? Why didn't they ask me to do that?"
I work in Hebrew. Hebrew is deeply inspired by other languages. Not now, for the last three thousand years, Hebrew has been penetrated and fertilized by ancient Semitic languages - by Aramaic, by Greek, by Latin, by Arabic, by Yiddish, by Latino, by German, by Russian, by English, I could go on and on. It's very much like English. The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages. Every language has influences and is an influence.
People always ask me, 'Why so many historical dramas?' Because those are the best roles I get to play, and I get to play heroes in those roles.
I have always got interesting roles in Malayalam cinema.
Every time there's a really good story, there's women in it. We may not get as many roles, but the roles we get are really good, I think, for the most part.
If I am offered good roles, I will definitely be back in Malayalam, anytime.
I am not called for good roles in Malayalam films for reasons which I cannot fathom.
There are so many platforms you can work on, in so many languages. There are so many different roles you can do.
Many's the audition I waltzed into unprepared and wondered why I didn't get it. I learned the hard way.
I know, I pick up the roles other actresses don’t want [laughs]. When there’s movies where there are two sisters and one’s the uglier sister, there’s always no actress that wants to go for it. I’m like, why not! They’re the best roles!
I so find Harold Pinter and David Mamet's writing to be exciting, and obviously there aren't that many female - at least with Mamet, there aren't that many good female roles. But I always thought it would be interesting to play one of the guy roles.
I was fascinated by the lack of a word for a parent who has lost a child. We have no word in English. I thought for sure there'd be a word in Irish but there is none. And then I looked in several other languages and could not find one, until I found the word Sh'khol in Hebrew. I'm still not sure why so many languages don't have a word for this sort of bereavement, this shadowing.
Contrary to conventional wisdom, dance is not a universal 'language' but many languages and dialects. There are close to 6000 verbal languages, and probably that many dance languages.
There are so many good roles for women out there, I don't understand it when people say the role choices are fewer as you get older. I find the opposite to be true - there are less good roles out there for the hot 20-year-olds because the normal girl parts just aren't interesting.
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