A Quote by Shamna Kasim
Rarely do heroine-oriented films happen in the film industry.
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I don't think a heroine-oriented film has the capacity to pull an audience like a hero-oriented film in any film industry.
I am doing films that are content-oriented and where I have the scope to perform. Rarely do such scripts happen.
The audience simply don't find a heroine picking a fight with 10 guys as convincing as a hero. So the industry always sticks to psychological thrillers and ghost movies for heroine-oriented projects and this can sustain only for a short time.
I want to develop women-oriented films because, in most of the films, 70 per cent of the focus is on heroes and the rest on the heroine.
People often ask me why I don't take up more heroine-oriented roles. My question is, 'Where are these roles?' I really appreciate actresses who sign only films with meaty roles. However, there aren't too many of them. The industry is simply male-dominated.
Acting in a heroine-oriented film is a tough job.
No one watches 'Taxi Driver' and says, 'Oh, it's a male-oriented film.' No one looks at nine-tenths of the films out there that are headlined by men and say, 'It's a male-oriented film.'
Audiences want to watch heroine-oriented films, and even writers are writing scripts for women. I am very happy to see this change.
There are no hero-heroine films any more. They are more character-oriented.
I don't understand this concept of women-oriented films or stories based on women, because nobody uses the term, a 'man-oriented' film. Why do you have to separate girls from boys?
I had begun my career with emotional films - Rajasthani film 'Bai Chali Sasariye.' Later I did several films as a heroine, and made the audience cry a lot. I even did action films, where I would play a dacoit or a police officer.
This industry is in a hurry to gain solid results. They expect a hero or a heroine to get intimate on the first day of meeting for the good of the film, which is against my temperament. I draw a line, which the industry doesn't like.
As I had visualized, 'Heroine' is shaping up to be a very contemporary film with a different premise and strata. This film, like most of my other films, is a blend of facts and fiction. The film has a larger span, more characters, and costumes... a journey that revolves around an actress's life and the showbiz.
Rather than doing a hero-oriented film, I love being a part multi-starrer film, because such films always strike a chord with audience.
When I came into the film industry, I was so naive and confused and had no idea about how a heroine should work.
Filmmakers need to give the audience that something extra, an incentive to spend money and go to the multiplex - the ticket prices are high. Otherwise they'd just stay home, buy DVDs or download movies. But if there were only big budget movies it would be impossible for the film industry to survive. So I emphasize the importance of mid-range films. But those films need the support of theatre owners. The theatre chains have to have the vision to realize the need to support smaller films for the growth of the domestic film industry.
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