A Quote by Shana Abe

My dowry is thirty-five. A year.” His brows climbed. “You’re joking.” “I would never joke about money with a notorious thief. Just imagine, in a mere two years you’re at a profit.” “How I adore a woman who does mathematics in her head.” “I can forge signatures as well.” “Splendid. Exactly the bride I’ve been hoping for.
People are always spewing this horseshit about how age doesn't matter. Well, it does matter! I'm thirty-five, and I'm happy to be thirty-five. I can't pretend I'm still a snot-nosed 21-year-old.
Over and over in the play my character says, "I'm thirty-two years old," as if that should explain everything that's wrong in her life. I don't know what it's like to be thirty-two, but I can imagine. I imagine she means she's stuck in an in-between time, she's at an age that isn't a milestone but more of a no-man's-land, an age where she's feeling like her hopes are fading.
Would I if I could by pushing a button would I kill five thousand Chinamen if I could save my brother from anything. Well I was very fond of my brother and I could completely imagine his suffering and I replied that five thousand Chinamen was something I could not imagine and so it was not interesting. One has to remember that about imagination, that is when the world gets dull when everybody does not know what they can or what they cannot really imagine.
Yeah I'm thirty-six, but on the show I'm thirty-two. Nobody wants to watch a thirty-six year old woman, so they decided to make me thirty-two. Much more appealing somehow.
A friend asked her doctor if a woman should have children after thirty-five. I said, "Thirty-five children is enough for any woman.
And so I'm me again, Leo. Thanks to the example of a five-year-old. I'm hoping you wouldn't want it any other way. Not that you weren't flattered, right? I mean, to have a girl two thousand miles away going to pieces over you, weeping at the mere memory of you, losing her appetite, losing herself and self-respect - well, that's trophy enough for any guy's ego, huh?
To praise it would amount to praising myself. For the entire content of the work... coincides almost exactly with my own meditations which have occupied my mind for the past thirty or thirty-five years.
Mozart wrote so many works in his thirty-five years that it would take a lifetime just to write out the notes. We literally do not know how he did it.
Holly smiled weakly. Gerry would know exactly how she was feeling, he would know exactly what to say and he would know exactly what to do. He would give her one of his famous hugs and all her problems would melt away. She grabbed a pillow from her bed and hugged it tight. She couldn't remember the last time she hugged someone, really hugged someone. And the depressing thing was that she couldn't imagine ever embracing anyone the same way again.
In my arms is a woman who has given me a Skywatcher's Cloud Chart, a woman who knows all my secrets, a woman who knows just how messed up my mind is, how many pills I'm on, and yet she allows me to hold her anyway. There's something honest about all this, and I cannot imagine any other woman lying in the middle of a frozen soccer field with me - in the middle of a snowstorm even - impossibly hoping to see a single cloud break free of a nimbostratus.
I know the woman has no soul, I know The woman has no possibilities Of soul or mind or heart, but merely is The masterpiece of flesh: well, be it so. It is her flesh that I adore; I go Thirsting afresh to drain her empty kiss. I know she cannot love: it is not this My vanquished heart implores in overthrow. Tyrannously I crave, I crave alone, Her splendid body, Earth's most eloquent Music, divinest human harmony; Her body now a silent instrument, That 'neath my touch shall wake and make for me The strains I have but dreamed of, never known.
[In] death at least there would be one profit; it would no longer be necessary to eat, to drink, to pay taxes, or to [offend] others; and as a man lies in his grave not one year, but hundreds and thousands of years, the profit was enormous. The life of man was, in short, a loss, and only his death a profit.
Not from his head was woman took, As made her husband to o'erlook; Not from his feet, as one designed The footstool of the stronger kind; But fashioned for himself, a bride; An equal, taken from his side.
I remember auditioning for record labels and having them tell me, 'Well, the country-radio demographic is the thirty-five-year-old female housewife. Give us a song that relates to the thirty-five-year-old female, and we'll talk.'
I came to England in 1962 as a very young bride, in my teens, hoping just to stay two years and go back.
Never trust a woman who wears mauve, whatever her age may be, or a woman over thirty-five who is fond of pink ribbons.
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