A Quote by Shana Alexander

Ballet's image of perfection is fashioned amid a milieu of wracked bodies, fevered imaginations, Balkan intrigue and sulfurous hatreds where anything is likely, and dancers know it.
I look for dancers who have all the technique in the world. But they must be dancers who are open-minded, who are willing to forget that they know anything. They also have to be gorgeous; they must have a clear image of themselves and strong personalities.
I know that dancers, especially ballet dancers, can't do it forever.
Ballet needs figures that people can recognize and relate to. People don't know ballet dancers as well as they know other artists.
Antisemitism is unique among religious hatreds. It is a racist conspiracy theory fashioned for the needs of messianic and brutal rulers, as dictators from the Tsars to the Islamists via the Nazis have shown. Many other alleged religious 'hatreds' are not hatreds in the true sense. If I criticise Islamic, Orthodox Jewish or Catholic attitudes towards women, for instance, and I'm accused of being a bigot, I shrug and say it is not bigoted to oppose bigotry.
Dancers are working their bodies just like a marathon runner would, and you have to eat to make it through a three-hour performance. Dancers put their bodies through incredible strain.
Fonteyn was our first proper British ballerina, and from the moment I started dancing, her image engulfed me. In my first year at the Royal Ballet School, Margot's statue was outside my dormitory. Like generations of budding ballet dancers before me, I used to touch her middle finger for luck.
It's going to take a while before we see a real shift in the students and the dancers that are going into professional companies because it takes so many years of training, but I do think that there's a new crop of dancers, of minority dancers that are entering into the ballet world.
So many people report to be contemporary dancers, and they're not. They are sort of jazz dancers that feel like they're throwing a bit of classical in there. I mean, a true contemporary dancer has got ballet as their base and classical ballet, and that is their base. And then they choose to extemporize on that and go into a contemporary world.
The Royal Ballet is the best paid company, but the dancers get nothing. The stage crew get paid three times more than the dancers, and they have a job for life - dancers only have 10 years.
When you train as a dancer, you understand you have to work exceptionally hard. I think dancers are the hardest - working people in show business. You have to push your body beyond where you thought it could go. It's athleticism. Perfection doesn't exist, but with classical ballet, there is an ideal, and I got obsessed with that ideal. In some ways, it was problematic because I don't have an ideal ballet body, but the discipline is what I carry with me to this day. That's my park, the discipline of dancing.
I'm not fond of the idea of doing ballet for ballet's sake, because dancers get exploited and they're not paid well. They do it for the love.
Making the ballet really taught me how to get things moving. Ballet dancers don't stand still.
The image of the woman as we know it is an image created by men and fashioned to suit their needs.
Ballet dancers really know how to enter a room.
A producer wouldn't think of making a film about ballet dancers without using real dancers, but they will cast actors who have never held a bat in baseball films.
How can you live the high life if you do not wear high heels? I don't understand why women wear these ballet pumps. They are only good if you walk like a ballet dancer, and only ballet dancers do that.
This site uses cookies to ensure you get the best experience. More info...
Got it!