A Quote by Shana Alexander
Ireland is not at all a simple place, and in many ways it is spare and sad. It has no wealth, no power, no stability, no influence, no fashion, no size. Its only real arts are song and drama and poem. But Limerick alone has two thousand ruined castles and surely that many practicing poets.
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Someone in Ireland asked me how many Republican poets there were in the U.S., and I thought maybe two. Maybe there are 10,000 poets, and maybe there are two Republicans among them.
Speaking as an outsider is the most authentic voice for a poet. Poets who have one hundred thousand or one million readers [as many South Korean poets do] might not be a real, authentic poet.
These are the only two situations possible, and you are in the sad situation. Everybody may know about you - who you are - but you yourself are completely oblivious of your transcendence, of your real nature, of your authentic being. This is the only sadness in life. You can find many excuses, but the real sadness is this: you don't know who you are. How can a person be happy not knowing who he is, not knowing from where he comes, not knowing where he is going? A thousand and one problems arise because of this basic self-ignorance.
Let me explain something to you. Look around here. How many people do you count? Sixty, eighty, eighty people? Greeks, Germans, Italians, French, Americans. Tourists from everywhere. Eating, drinking, talking, laughing. And from Bombay - Indians and Iranians and Afghans and Arabs and Africans. But how many of these people have real power, real destiny, real dynamic for their place, and their time, and the lives of thousand of people? I will tell you - four. Four people in this room with power, and the rest are like the rest of the people everywhere: powerless, sleepers in the dream.
I do not think men have more talent. There are a great many women in the arts; novelists, painters, sculptors, poets-but the proportion is far lower in the field of song writing.
Everybody's beatable. Mixed martial arts, there's many ways to win, and that also means there are many ways to lose, as well.
On the other hand, at some level the mass of unresolved issues in Northern Ireland does influence the fact that there are so many good writers in the place.
We're richer, but that wealth doesn't reflect durable, authentic economic value - which is hitting fast diminishing returns. The growth that we're pursuing is neither sustainable - nor is it, in many ways, real growth at all. Boardrooms from finance to autos to energy to pharma to fashion have learned that the hard way.
A year. A thousand kisses. And now a thousand one, a thousand two. There are so many other place we could have ended up, but I have to believe none of them would have felt this right. "All I want is you" is not entirely true. I want so much more, and with you I think I can get it.
Stars should not be seen alone. That's why there are so many. Two people should stand together and look at them. One person alone will surely miss the good ones.
The many-voiced song of the river echoed softly. Siddhartha looked into the river and saw many pictures in the flowing water. The river's voice was sorrowful. It sang with yearning and sadness, flowing towards its goal ... Siddhartha was now listening intently...to this song of a thousand voices ... then the great song of a thousand voices consisted of one word: Om - Perfection ... From that hour Siddhartha ceased to fight against his destiny.
The dance is the most universal of the arts, since, as Goethe justly said, it could destroy all the fine arts. It is an expression of all the emotions of the spirit, from the lowest to the highest. It accompanies and stimulates all the processes of life, from hunting and farming to war and fertility, from love to death. It enables, in turn other arts to come into being: music, song, drama. Despite all their riches, the dance is no formless complex, but a simple unity.
Many people do not know that they can strengthen or diminish the life around them. The way we live day to day simply may not reflect back to us our power to influence life or the web of relationships that connects us. Life responds to us anyway. We all have the power to affect others. We may affect those we know and those we do not even know at all. . . . Without our knowing, we may influence the lives of others in very simple ways.
I think many poets, including myself, write both for the voice and for the page. I certainly write for the person alone in the library, who pulls down a book and it opens to a poem. I am also very conscious of what it means to read these poems aloud.
War is by definition the indiscriminate killing of huge numbers of people for ends that are uncertain. Think about means and ends, and apply it to war. The means are horrible, certainly. The ends, uncertain. That alone should make you hesitate. . . . We are smart in so many ways. Surely, we should be able to understand that in between war and passivity, there are a thousand possibilities.
There is no one kind of thing that we 'perceive' but many different kinds, the number being reducible if at all by scientific investigation and not by philosophy: pens are in many ways though not in all ways unlike rainbows, which are in many ways though not in all ways unlike after-images, which in turn are in many ways but not in all ways unlike pictures on the cinema-screen--and so on.
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