A Quote by Shane Black
Probably my favorite piece of music, as an album taken as a whole, is Bruce Springsteen's 'Greetings from Asbury Park.' I just think it's incredibly pure. It's a sound that sort of broke new ground, and I think it paved the way for a hundred people that sound very similar.
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Seven-11 is the pulse-beat of America. I think that Bruce Springsteen should do a song about a 7-11 in Asbury Park, New Jersey, but write it in such a way that American's youth can identify and slurp along with the Boss. Hail the Boss! Hail 7-11!
The thing about Springsteen, his music, although he's writing about, you know, New Jersey and Asbury Park, all of them places, it's blue-collar towns that, like - it's similar to Newcastle, where I'm from.
Neil Young, who isn't really evident when you listen to my music, is probably my favorite of the legends, besides Dylan. They're all a huge influence on me. For me, just following rock history and watching Darkness On the Edge of Town and realizing that's it's okay to be obsessed with a snare sound because Bruce Springsteen was obsessed with a snare sound.
Think of the sound you make when you let go after holding your breath for a very, very long time. Think of the gladdest sound you know: the sound of dawn on the first day of spring break, the sound of a bottle of Coke opening, the sound of a crowd cheering in your ears because you're coming down to the last part of a race--and you're ahead. Think of the sound of water over stones in a cold stream, and the sound of wind through green trees on a late May afternoon in Central Park. Think of the sound of a bus coming into the station carrying someone you love. Then put all those together.
I personally wouldn't want my second album to sound like my first; it might sound very rocky or hard rock - and that wouldn't be melancholy. So if people think my music is melancholic, then so be it. It's meant to be uplifting, and I'm just basically saying what needs to be said.
We look so very different from the way we sound. It’s a shock, similar to hearing your own voice for the first time, when you’re forced to wonder how the rest of you comes across if you sound nothing like the way you think you sound. You feel dislodged from the old shoe of yourself.
The label of liberalism is hardly a sentence to public ignominy: otherwise Bruce Springsteen would still be rehabilitating used Cadillacs in Asbury Park and Jane Fonda, for all we know, would be just another overweight housewife.
People criticize you for trying new things. I think, 'I'm new! I'm 22!' I don't know exactly what my sound is or what I want my album to sound like, so I'm not releasing it yet. While I'm experimenting, I'll let you in on the journey, and you can hear it for free.
An album is a whole universe, and the recording studio is a three-dimensional kind of art space that I can fill with sound. Just as the album art and videos are ways of adding more dimensions to the words and music. I like to be involved in all of it because it's all of a piece.
Since I first fell in love with choral music when I was 18 and began composing at 21, I've been listening to these recordings of British choirs. I just fell in love with that sound - that pure, clean, pristine sound - and I think it's probably been the biggest influence on my sound.
Folk music - and what people are now perceiving as being folk music - is music that's quite close to the ground. The songs sound quite old, even if they're new. They sound like they've been sung by different people for years.
If all of my instructions to staff during the seven years I hosted a radio show were written down and examined, I'd sound a lot like Bruce Levenson. Hell, I might sound much worse. The path to inclusion and diversity is not paved with precise, pretty words.
I think this my last album - No Place For My Dream - truly is my best work. My fear now is, I don't know if I can do better than this in my lifetime, because technically, sound quality, composition, the melody is really high standard, it's very scary; the way it was recorded, the way I was focused. I think it is top of the music scene.
I don't think people expect Bruce Springsteen to come out in a pink satin jacket, but Rod Stewart, they do. And I like doing it; I don't wear it just because I think I have to. I'm a very flamboyant person.
I like that kind of classic-type sound. A lot of my favorite albums were tracked live, with a four-piece band. I love the way those albums sound, but I want to make records that sound like that in the way I like to make stuff.
When we sit in meditation and hear a sound, we think, 'Oh, that sound's bothering me.' If we see it like this, we suffer. But if we investigate a little deeper, we see that the sound is simply sound. If we understand like this, then there's nothing more to it. We leave it be. The sound is just sound, why should you go and grab it? You see that actually it was you who went out and disturbed the sound.
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