A Quote by Shane Black

'Lethal Weapon' sold apropos of nothing when I was very young, but that was a very different market. — © Shane Black
'Lethal Weapon' sold apropos of nothing when I was very young, but that was a very different market.
Lethal Weapon 2 used the platform to talk about the apartheid system. That was a very important moment for us.
In my day, the drug was alcohol and the weapon was a fist, so it was very sort of innocent and primitive. Now you've got drugs, guns, and knives, which are so lethal.
People don't understand this, but I started very young, and I became very, very successful at a very young age. By the time I was 26 years old, I was a multimillionaire. And I started with nothing. And I was on the road 10, 11 months a year.
I've sold a lot of different product. Very briefly, I sold Time Life Books on the phone.
In [India] and across the globe, hundreds and thousands of children, as young as three, as young as four, are sold into sexual slavery. But that's not the only purpose that human beings are sold for. They are sold in the name of adoption. They are sold in the name of organ trade. They are sold in the name of forced labor, camel jockeying, anything, everything.
Food is a weapon - a very effective weapon. People don't cultivate, don't farm, you cut the road off, then you subjugate them very easily.
Look, if somebody said tomorrow, "We're making a Lethal Weapon formula movie, but it's incredibly well-written and for two women," I'm not going to say, "Oh, forget it, it's formula." I got an idea the other day, that somebody should write a typical formula movie, a Lethal Weapon, and make it with me and my dad. It could be all father-and-daughter capers. But I'd want someone really weird to direct it.
When I was young and very green, I worte that tune, Sister Kate, and someone said that's fine, let me publish it for you. I'll give you fifty dollars. I didn't know nothing about papers, and business, and I sold it outright.
What I'm interested in is the fascinating image of young leaders... you know, young people leading in different fields. You see athletes and people in gymnastics, where the requirement is that you are supple and very, very young... 11... and by the time you're 14, you're already over the hill.
I went to Sundance Labs, and I definitely watched my male peers from there have very different meetings than I was having, very different outcomes. You could tell there was a feeling that a young male director had this exciting potential and a young female director was risky.
The market is moving so fast, there is nothing set into the wall. You need to be very, very flexible.
I just watched 'Lethal Weapon' for the first time, and it's awesome... and so violent! Mel is out of his mind in that movie. Although now we know he's just insane - he was very much in his mind.
Hip Hop can be a very powerful weapon to help expand young people's political and social consciousness. But just as with any weapon, if you don't know how to use it, if you don't know where to point it, or what you're using it for, you can end up shooting yourself in the foot or killing your sisters or brothers.
I had a very down-to-earth product, my wrap dress, which was really a uniform. It was just a simple little cotton-jersey dress that everybody loved and everybody wore. That one dress sold about 3 or 4 million. I would see 20, 30 dresses walking down one block. All sorts of different women. It felt very good. Young and old, and fat and thin, and poor and rich.
When I was very young, I sold the rights to my work... through 2000.
I have traveled to a lot of places, and you look at another young person who lives under very different circumstances than you but has the same dreams or the same interests or might be better at what I do than what I do. But I was born in a different place, and she was born in a different place. Just for that alone, you're kind of inherently given opportunity. That's something that I'm very grateful for, but I'm also very aware of.
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