A Quote by Shane Black

What strikes me as memorable about 'Predator' was a lot of the decisions that were made so quickly turned out to be so iconic. — © Shane Black
What strikes me as memorable about 'Predator' was a lot of the decisions that were made so quickly turned out to be so iconic.
Decisions made quickly were almost always regretted quickly.
That is the great thing about policing, you do have a lot of responsibility very early and you have got to make decisions, sometimes life and death decisions, very quickly and there is something about putting a uniform on and thinking 'people are looking to me to make decisions and to look after them' that makes you feel capable.
There is something really so iconic about the original Predator, and it is exciting. It's not just special effects. It's not like you bring a puppet in, these are characters and so we were involved in developing the look and the attitude of all the characters.
I worked a lot with Nick Knight and John Galliano when John was at Dior. He also made my wedding dress. He'll always hold a special place; I have most of my memorable, iconic moments in fashion with him.
That's why I made decisions; they were tough decisions but we shouldn't feel bad at all - don't look back with any regrets, that's how I made decisions as governor.
My biggest past mistakes have been when I made decisions out of ego rather than spirit. When I acted too quickly. When I wasn't contemplative or reflective or prayerful enough, and I ended up making what I would only later see to be unwise decisions.
I made some really bad decisions, and I turned a lot of work down and kind of got lost in life.
The illusion of control has to be there, but mostly I'm following characters and the consequences of their own decisions, because a lot of the time they made decisions about what to do or how to behave that I had no idea were coming down the pike. As I would sit and try to inhabit a character, they themselves in my imagination would have quite a bit of free will.
My clients were always poor folks, working folks, people who were in trouble and couldn't afford to pay a whole lot. I found it very difficult to say no to somebody who needed help, so most of my work turned out to be pro bono. It didn't start out that way, but it turned out that way because I never got paid.
I would have turned any offer down, if it had turned into a thriller. I would have seen no point in a thriller here. I don't need to entertain people, on top of what we were doing. It's not a question of whether he did it or not. I would have thought that was banal and uninteresting, and I wouldn't care. And it could have also turned into a shoot-out because there were a lot of guns in the film.
People "died" all the time. . . . Parts of them died when they made the wrong kinds of decisions-decisions against life. Sometimes they died bit by bit until finally they were just living corpses walking around. If you were perceptive you could see it in their eyes; the fire had gone out. . . you always knew when you made a decision against life. The door clicked and you were safe inside-safe and dead.
Patty Griffin is iconic, and there's no other word to really describe her. She is iconic for a lot of people - not only for me but for a lot of fans. Her voice is one of a kind, and she's such an important figure in the American music scene.
Confession: When I went to see The Empire Strikes Back I found myself glancing at my watch. The Force is with us, indeed, and a lot of it is hot air. It's a measure of my mixed feelings about The Empire Strikes Back that I'm not at all sure that I understand the plot. The Empire Strikes Back is about as personal as a Christmas card from a bank.
Thousands of years of ideological, philosophical and practical decisions were made. They altered the surface of the earth, the coordinates of our souls. For every one of those decisions, maybe there's another decision that could have been made, should have been made.
A lot of people who were studying with me turned out to be journalists or worked in big institutions.
Byrd has always been that kind of pitcher, trying to trick you, keep the ball low, in and out. He threw a lot of strikes, worked it inside and out, threw breaking balls for strikes behind in the count.
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