A Quote by Shane Black

The worst of the action films are the ones where everything is one shout from beginning to finish. And there's no differentiation between beats, like small or big, or quiet or expansive. It's all just one loud shout.
Action film is really easy to do, you just get in a car and smash through things and it's called action. The real key is what happens between the action when it's quiet. Loud is easy. Quiet, real hard.
If you are ever attacked in the street do not shout 'help!', shout 'Fire!'. People adore fires and always come rushing. Nobody will come if you shout 'help.
Women must not shout back when their husbands come home and shout at them for any reason.
Shout for libraries. Shout for the young readers who use them.
If I tried to shout over my older brother, my mother told me keep quiet. If I tried to shout over my little sister, my father told me to shut up. I found the best way to be heard was to lower my voice and actually speak when I had something to say.
Do not give a war cry, do not raise your voices, do not say a word until the day I tell you to shout. Then shout!
Despite the occasional high decibel level, 'The Group' is not a shout fest. I don't simply want panelists with opposing opinions trying to out-shout one another.
I like to be quiet, and let people find me rather than having to shout at them.
You don't have to shout from the mountaintops. Sometimes power comes in a soft, calm, compassionate way, like a quiet warrior.
I love the culture of animation. What stop-motion has in common with live-action is that it has many of the same departments. There's hair, costume, makeup in the form of paint, gaffers, electricians. So there's the same sense of real stuff, real light. But it's not like everything happens at once, like it does in live-action. It's all subdivided into these small sets. It's where my strengths are. Live-action is just an utterly different world, and I'm not a public enough persona to be big and loud at the front of the ship. I'd rather more quietly interact with the artisan animators.
I like the variety. But basically my choice of films is a small intimate film. Quiet film, no action, just people in relationships. That's what I like the most.
Jackson doesn't bother to read the scripts anymore. He just checks to make sure he has one loud scene where he gets to shout, then cashes the paycheck.
We used to send up the idea of getting to the top. John would shout, "Where are we going, fellas?" We'd shout back, "To the top, Johnny!
...you have to learn where your pain is. You have to burrow down and find the wound, and if the burden of it is too terrible to shoulder, you have to shout it out; you have to shout for help... And then finally, the way through grief is grieving.
I always say to anybody who's going over to America for the first time, 'Whatever you do, go and see a popular mainstream film with a big audience.' Because people shout out. You never get that in Britain. Everybody's so quiet, scared to laugh. It's like being in church.
It's not easy to shout against real elements. The elements are big, and the human voice is very small.
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