A Quote by Shane Carruth

I don't read books on how to write screenplays just because I'm stubborn. So it's all sort of made up. — © Shane Carruth
I don't read books on how to write screenplays just because I'm stubborn. So it's all sort of made up.
Screenplays I didn't really care about, journalism, travel books, getting my writer friends to write about their dreams or something. I just determined to write the books I had to write.
My approach to making movies is different than other people, because I just write a lot of screenplays. I'm constantly writing screenplays.
I write because I have an innate need to. I write because I can't do normal work. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it.
I shall be so glad if you will tell me what to read. I have been looking into all the books in the library at Offendene, but there is nothing readable. The leaves all stick together and smell musty. I wish I could write books to amuse myself, as you can! How delightful it must be to write books after one's own taste instead of reading other people's! Home-made books must be so nice.
They were made up names in Dune that I didn't know how to pronounce, but I knew how I should sound because I was a sci-fi fan myself. I hadn't read the book, but I knew that I was the princess of the universe. I went in and sort of made her up, and David Lynch thought it matched and cast me.
I wanted to be a writer that had an impact. I wanted, and still I say the same thing, I want to write books that change people's lives, change how we think and live and read and write. I wanna write books that are read in 50 or 100 years.
The most important thing for any aspiring writer, is to read! And not just the sort of thing you're trying to write, be that fantasy, SF, comic books, whatever. You need to read everything.
In terms of the economics, yes obviously the rise of e-books and how people choose to read books has a big effect on the economics of the game. But whether people are buying them on paper or downloading them there's still some poor wretch in a room who is trying to write a poem, write a story, write a novel. And so my job doesn't change. It's just how people receive it and economic conditions on the ground change, but that doesn't affect what I write.
Well, you just know, as a writer, I didn't really write one of the five best screenplays of the year. There were lots of brilliant screenplays; I was just one of the lucky ones who got nominated.
When people asked me what I was going to do when I grow up, I always said, 'I'm going to be a writer. I'm going to write screenplays. I'm going to write books. I'm going to write plays. That's what I'm going to do.'
I have learned that my assignment is to write books for people who do not like to read books. I really try to connect with people who are not given to spending a lot of time with an open book. Pay day to me is when somebody comes up to me and says, "I never read books but I read yours." I have a heart for that person.
I don't assume, because I can write screenplays, that I know how to write a novel. It's a very different world. There's a craft involved in storytelling, and it's a different kind of craft. But yes, someday I will do that. It just might be awhile.
I vowed to myself that when I grew up and became a theoretical physicist, in addition to doing research, I would write books that I would have liked to have read as a child. So whenever I write, I imagine myself, as a youth, reading my books, being thrilled by the incredible advances being made in physics and science.
In the past few years I've assigned books to be read before a student attends one of my weeklong seminars. I have been astonished by how few people -- people who supposedly want to write -- read books, and if they read them, how little they examine them.
I write screenplays that don't get made and pilots that don't get picked up, and I re-write other people's movies, and those are all different kinds of fees.
I think it's more important to write something that brings men back to reading than it is to write for people who already read. There's a reason men don't read, and it's because books don't serve men. It's time we produce books that serve men.
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