A Quote by Shane Dawson
I've been wanting to do some type of video about the idea that YouTubers have to have some kind of personality disorder, something right, to do what we do. Putting ourselves on camera all the time, being so open on camera all the time, having conventions with our name in it. There has to be something.
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I've been acting since I was 2 and have always been on camera but doing a video is different because when you're acting, you pretend the camera's not there and you just do the scene and with a music video you're right in the camera so it feels weird sometimes.
The camera was kind to me. But I was never a screen personality like Gable or Flynn. The camera did something with their faces that was special.
There is a secret, I think. When you are front of a camera there is something that happens. Some relationship, some movement, some strange kind of suspension. That's where you find the layer in yourself that is duplicated in everyone. And when you get it right, if you can imagine all the hearts beating in one beat, it's like that. It's beautiful.
Being on the road, the Internet enables me to interact with people in some way. It's not so much interacting with my fans - it's about doing something with what I have. I have my camera and I have my computer, and if I have some spare time, rather than watching some mindless bullshit pop-idol program on TV, why not show people my pictures and try and discuss things that I feel are important?
It has a lot to do with just sort of trust in the relationship that builds between the filmmaker and the subject. There are some people who will never be relaxed in front of a camera, and in some ways that's my failing as a filmmaker to not put them at ease. It's also a function of time, and if you have that type of time.
There's a kind of power thing about the camera. I mean everyone knows you've got some edge. You're carrying some magic which does something to them. It fixes them in a way.
I don't know if I have some kind of defiance disorder or something, but if I'm hired to write something by "The Man," or by a studio, for whatever reason, it's really hard for me to finish. I inevitably wind up using that time to write something else.
Before the days of video village a director should stand right next to the camera, look with his naked eye and if he sees something that is real to him, he'd look up at the [camera] operator and if he gives the look to indicate he'd seen it to, then you print and you'd move on.
That shot in "Into the Inferno" somehow popped up while my editor and I were viewing the footage. I immediately said, "That looks like the opening shot because the camera approaches the action very slowly and we have enough time to insert some of the main credits into it." So it was a practical choice. At the same time, you see these tiny figures standing at the rim of something, and all of a sudden, the camera rises further and you find yourself looking straight down into an inferno.
There are so many great YouTubers who might have a hit, but they come and they go. Maintaining and being here, just being able to relate to what's going on and putting my spin on the world, I bring not my age, but my my wisdom, and that's something some of the younger ones can't contribute.
Sometimes success means having the right idea in the right place at the right time. Other times, it's about not being afraid to quit and move onto something new.
I love to just listen and watch. I could happily watch a security camera at a store. Often during a day I'll see a guy selling pretzels or an argument that somebody's having on a stoop and I'll think, "Oh I wish I had my camera, I wish I could capture this moment." There's something about people being people and interacting that can be so beautiful when it's framed by a camera. That desire to capture people as they are, and the stubbornness to keep going when they don't necessarily want you to capture them being who they are, are key.
I've discovered that being behind the camera is more fascinating. If I had to choose a profession today, it would have been something behind the camera.
Film and theater are about misdirection and making the audience see something. I find it interesting. One of the things we do in 'True Blood' is shoot all of our stunts in camera. Instead of doing some kind of visual effect, we try to make it happen.
Well, I think the camera freedom is something that we've resisted for a long time and feels like probably the biggest stretch. But it has some huge benefits.
The simple act of having a camera, not a cell phone, but a camera-camera, there’s a kind of a heightened perceptional awareness that occurs. Like, I could walk from here to the highway in two minutes, but if I had a camera, that walk could take me two hours.
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