A Quote by Shane Koyczan

We come from the mentality, that rarely sees the horror in symmetry or the beauty in non-conformity — © Shane Koyczan
We come from the mentality, that rarely sees the horror in symmetry or the beauty in non-conformity
We may say of agreeableness, as distinct from beauty, that it consists in a symmetry of which we know not the rules, and a secret conformity of the features to each other, as also to the air and complexion of the person.
Beauty is rather a light that plays over the symmetry of things than that symmetry itself.
I know that I'm an animal that displays bilateral symmetry. I understand that one side should be the mirror of the other, and that human perceptions of beauty are intimately associated with symmetry. For example, I am very handsome.
The law of right-left symmetry was used in classical physics but was not of any great practical importance there. One reason for this derives from the fact that right-left symmetry is a discrete symmetry, unlike rotational symmetry, which is continuous.
If measure and symmetry are absent from any composition in any degree, ruin awaits both the ingredients and the composition... Measure and symmetry are beauty and virtue the world over.
In my actual imaginative contact with life, I am vastly more responsive to beauty than to horror - indeed, I never experience real cosmic horror except in infrequent nightmares. However, when I come to record my various imaginative experiences, I generally find that only the horror items have any uniqueness or originality. Others have seen the same beautiful things that I have seen, & have sung them more nobly.
Beauty is our weapon against nature; by it we make objects, giving them limit, symmetry, proportion. Beauty halts and freezes the melting flux of nature.
When there's a great horror movie, people are like, 'Horror's back!' And when there's a series of not so good ones, 'Horror's dead.' I think it's all about the quality. When there are one or two good horror movies in a row, people come out interested again.
I am neither for conformity nor non-conformity. I am for individuality. If one's individuality is in effect non-conformity, then so be it. But basically, one's individuality consists of conformity--to one's self.
Tidiness is a virtue, symmetry is often a constituent of beauty.
I purposefully try to make films in that grey area, where things are morally ambiguous. It's like life: good people do horrible things, and bad people do good things, and there's beauty in horror and horror in beauty.
He that sees the beauty of holiness or true moral good ,sees the greatest and most important thing in the world.
In our truly remarkable an unexampled civil peace, where there are rarely fist fights; where no one is born, is gravely ill, or dies; where meat is eaten but no one sees an animal slaughtered; where scores of millions of cars, trains, elevators, and airplanes go their scheduled way and there is rarely a crash; where an immense production proceeds in orderly efficiency and the shelves are duly clears and nevertheless none of this come to joy or tragic grief or any other final good it is not surprising if there are explosions.
It is said that the camera cannot lie, but rarely do we allow it to do anything else, since the camera sees what you point it at: the camera sees what you want it to see.
If you have a year where a few good horror films come out, all of the sudden, horror is back and everyone's talking about how it's a vintage year for horror.
The traveler sees what he sees, the tourist sees what he has come to see.
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