A Quote by Shane West

Because I could take this as an opportunity to create something that I pretty much guarantee nobody else was going to create in film. — © Shane West
Because I could take this as an opportunity to create something that I pretty much guarantee nobody else was going to create in film.
To me, money is a vehicle; it's a tool. I could use it as a weapon to destroy things or money can create-you can create an opportunity, you can create a charity, you can create things for your family, you can go do something for your family that nobody else would ever do. You can create educational opportunities, you can feed people overseas. And there's a tremendous leverage with money, or you can destroy people with it.
If you're a game company, you want to create a singular gaming experience, and part of that is doing stuff that nobody else is doing. If you're trying to create a game that feels different, you're going to create a lead that feels different. It's not going to be just another white guy.
My advice for anyone wanting to direct is that nobody is going to hand you an opportunity. You have to create your own opportunities and not take no for an answer.
The government should not be in control of the private sector. You create opportunity, you create business, you create development, you hand it to the investor and start creating something new.
Tennis is basically a game where you try to create an opportunity for yourself to finish the point, because you can't wait for the opponent to miss anymore. Well, if you create an opportunity and don't take advantage of it, you let the opponent back to even, then you are just starting the point over, so you have to take advantage of them.
I think what we're going to ultimately recognize is that capitalism was a transitional and immature system. It got the planet to be globalized and now something else has to emerge. We have to be the ones. We can't wait around. Nobody else is going to do it for us. We have to be the ones who create that new emerging system.
Nature is so huge. I mean, you can't even look one way! Everything is huge. That was my natural instinct, to create huge art, to create huge pieces. And to me, I still could create bigger works. The opportunity doesn't come along to do anything any bigger. So I've worked as big as I've had the opportunity to work, basically.
I create music; I create painting; I create whatever I want to create. I create, what you say, clothes. I create, I don't know, dance move. I create anything.
I will just create, and if it works, it works, and if it doesn't, I'll create something else. I don't have any limitations on what I think I could do or be.
It is mind-boggling to me that the Almighty power created everything I see; the Bible says that God created the entire universe just so he could create this galaxy just so he could create Earth so he could create human beings so he could create a family.
Nobody really knows what it would take to create something that is self-aware or has a personality. I guess I could imagine a day when perhaps, if we can understand how it works in the human brain, which is unbelievably complicated, it could be possible.
I need time, but as soon as possible, we are going to try to create team spirit. That is the most important thing. After that, you can create tactics, but we have to create something special with ourselves.
The thing about Marvel is that they're not - they're into real acting. They're looking for artists that are willing to take chances and are willing to create characters. Even if that character has been around for years and years in comic books, they still are depending on us to create something and take it somewhere else.
When we make films - even 2D films - you're always trying to create this illusion of 3D, anyway. You're trying to create a believable world with characters walking, in and out of the perspective, to create the illusion that there's a world. The desire and drive to create this illusion of three-dimensional space is something that is true about every kind of film because you want the audience to really be experiencing it, first hand. It's a natural extension of the storytelling and the process of filmmaking.
Before I got on full-time medication, I believed that my mental disorder was the reason I could create so much and create well, because it made me crazy. I could go to these dark places and then come out of it and just be human again.
That's the whole point of good propaganda. You want to create a slogan that nobody's going to be against, and everybody's going to be for. Nobody knows what it means, because it doesn't mean anything.
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